Physical Production Coordinator: WB
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Physical Production Coordinator: WB
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Physical Production Coordinator: WB
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Physical Production Coordinator: WB
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Physical Production Coordinator: WB
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Physical Production Coordinator: WB
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Physical Production Coordinator: WB
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Physical Production Coordinator: WB
Magic Mike XXL (2015)
Directed by: Gregory Jacobs
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Dragon Camera
Physical Production Coordinator: WB
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Production Manager: India
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Production Supervisor: India
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Production Supervisor: India
Nous resterons sur Terre (2009)
Cinematography by: Pierre Barougier
Edited by: Nigel Galt
Producer, Production Manager, Writer
Maya (2001)
Directed by: Digvijay Singh
Cinematography by: Mark Lapwood
Edited by: Bridget Lyon
