Jean Miel

16 Titles

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The Transporter Refueled | ShotOnWhat?

Special Effects Technician

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Les vacances du petit Nicolas | ShotOnWhat?

Props Maker

Les vacances du petit Nicolas (2014)

Directed by: Laurent Tirard

Cinematography by: Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

The Smurfs 2 | ShotOnWhat?

Special Effects Coordinator

The Smurfs 2 (2013)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Sabrina Plisco

Cameras: Sony CineAlta F65 Camera

RED 2 | ShotOnWhat?

Special Effects Technician

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Je fais le mort | ShotOnWhat?

Lead Property Maker

Je fais le mort (2013)

Directed by: Jean-Paul Salomé

Cinematography by: Pascal Ridao

Edited by: Sylvie Lager

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Lead Property Maker

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

One Day | ShotOnWhat?

Dressing Props: Paris / Set Dresser

One Day (2011)

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Midnight in Paris | ShotOnWhat?

Dressing Props

Midnight in Paris (2011)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses

The Bourne Ultimatum | ShotOnWhat?

Set Dresser

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Rush Hour 3 | ShotOnWhat?

Lead Property Maker

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Marie Antoinette | ShotOnWhat?

Set Dresser

Marie Antoinette (2006)

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Les rivières pourpres 2 - Les anges de l'apocalypse | ShotOnWhat?

Special Effects Technician

Les rivières pourpres 2 - Les anges de l'apocalypse (2004)

Directed by: Olivier Dahan

Cinematography by: Alex Lamarque

Edited by: Richard Marizy

Ripoux 3 | ShotOnWhat?

Ripoux 3 (2003)

Directed by: Claude Zidi

Cinematography by: Gérard de Battista

Edited by: Nicole Saunier

The Dreamers | ShotOnWhat?

Special Effects Technician

The Dreamers (2003)

Directed by: Bernardo Bertolucci

Cinematography by: Fabio Cianchetti

Edited by: Jacopo Quadri

The Transporter | ShotOnWhat?

Special Effects Technician

The Transporter (2002)

Directed by: Louis Leterrier, Corey Yuen

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Nid de guêpes | ShotOnWhat?

Special Effects Technician

Nid de guêpes (2002)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Christophe Danilo, Olivier Gajan

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