Digital Colorist
'Dogs of Berlin' Begegnung (2018)
Directed by: Christian Alvart
Edited by: Marc Hofmeister
Digital Colorist
'Dogs of Berlin' Mannschaft (2018)
Directed by: Christian Alvart
Edited by: Marc Hofmeister
Digital Colorist
'Dogs of Berlin' V.I.P. (2018)
Directed by: Christian Alvart
Edited by: Marc Hofmeister
Digital Colorist
'Dogs of Berlin' Heimspiel (2018)
Directed by: Christian Alvart
Edited by: Marc Hofmeister
Digital Colorist
'Dogs of Berlin' Schiebung (2018)
Directed by: Christian Alvart
Edited by: Marc Hofmeister
Digital Colorist - 10 Episodes, 2018
Dogs of Berlin (2018)
Directed by: Christian Alvart
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Digital Colorist
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Digital Colorist
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Digital Colorist
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Digital Colorist
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Digital Colorist
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Digital Colorist
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Digital Colorist
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Digital Colorist
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Digital Colorist
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Digital Colorist
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Digital Colorist - 10 Episodes, 2017
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Colorist
Citizenfour (2014)
Directed by: Laura Poitras
Edited by: Mathilde Bonnefoy
Colorist: Dailies
A Most Wanted Man (2014)
Directed by: Anton Corbijn
Cinematography by: Benoît Delhomme
Edited by: Claire Simpson
Cameras: ARRI ALEXA M Camera
Lenses: Zeiss Super Speed Lenses
Colorist: Dailies
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Colorist: Dailies
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Digital Intermediate Colorist
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Colorist
Frontalwatte (2011)
Directed by: Jakob Lass
Cinematography by: Timon Schäppi
Edited by: Elena Weihe
On-line Editor
Die Fremde (2010)
Directed by: Feo Aladag
Cinematography by: Judith Kaufmann
Edited by: Andrea Mertens
