Sound Effects Editor
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Sound Effects Editor
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Sound Effects Editor
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Sound Effects Editor
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Sound Effects Editor
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Sound Editor
Truth or Consequences, N.M. (1997)
Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan
Sound Effects Editor
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Sound Effects Editor
The Glimmer Man (1996)
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Sound Effects Editor
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Sound Effects Editor
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Sound Effects Editor
Evil Dead II (1987)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Kaye Davis
