Andrew Read

13 Titles

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It | ShotOnWhat?

Lighting Console Programmer

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Flatliners | ShotOnWhat?

Lighting Console Programmer

Flatliners (2017)

Directed by: Niels Arden Oplev

Cinematography by: Eric Kress

Edited by: Tom Elkins

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lenses

Suicide Squad | ShotOnWhat?

Lighting Console Programmer

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Crimson Peak | ShotOnWhat?

Board Operator

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

RoboCop | ShotOnWhat?

Lighting Console Programmer: Second Unit

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Pacific Rim | ShotOnWhat?

Lighting Console Programmer

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Total Recall | ShotOnWhat?

Lighting Console Programmer

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Dream House | ShotOnWhat?

Lighting Console Programmer

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Sharpay's Fabulous Adventure | ShotOnWhat?

Theatrical Lighting Designer

Sharpay's Fabulous Adventure (2011)

Direct to Video

Directed by: Michael Lembeck

Cinematography by: Ousama Rawi

Edited by: David Finfer

Scott Pilgrim vs. the World | ShotOnWhat?

Lighting Console Programmer

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Resident Evil: Afterlife | ShotOnWhat?

Dimmer Board Operator

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

The Incredible Hulk | ShotOnWhat?

Lighting Console Operator

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Max Payne | ShotOnWhat?

Lighting Console Programmer

Max Payne (2008)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

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