Craig Moore

12 Titles

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Reign of Fire | ShotOnWhat?

Electrician

Reign of Fire (2002)

Directed by: Rob Bowman

Cinematography by: Adrian Biddle

Edited by: Thom Noble, Declan McGrath

Cameras: Panavision Cameras

The Kid | ShotOnWhat?

Motion Control Technician: The Secret Lab

The Kid (2000)

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission to Mars | ShotOnWhat?

Motion Control Assistant Cameraman: Dream Quest Images

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Bicentennial Man | ShotOnWhat?

First Assistant Camera: DQI

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Inspector Gadget | ShotOnWhat?

Motion Control Camera Assistant: DQI

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Deep Rising | ShotOnWhat?

Motion Control Technician: Motion Control Stage, Dream Quest Images

Deep Rising (1998)

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

Armageddon | ShotOnWhat?

Camera Assistant: Paris Destruction Sequence: DQI

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Con Air | ShotOnWhat?

Motion Control Technician

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

The Cable Guy | ShotOnWhat?

Key Grip: SPI

The Cable Guy (1996)

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

The Rock | ShotOnWhat?

Effects Photographer: DQI

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Crimson Tide | ShotOnWhat?

Effects Photography

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Grand Canyon | ShotOnWhat?

Production Assistant: DQI

Grand Canyon (1991)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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