Key Compositing Artist: MPC
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Visual Effects Supervisor
'Call the Midwife' Episode #8.2 (2019)
Directed by: Kate Saxon
Cinematography by: Gareth Hughes
Edited by: Andy Morrison
Visual Effects Supervisor
'Call the Midwife' Episode #8.5 (2019)
Directed by: David O'Neill
Cinematography by: John Rhodes
Edited by: Alan Harris
Visual Effects Supervisor
'Call the Midwife' Episode #8.4 (2019)
Directed by: David O'Neill
Cinematography by: John Rhodes
Edited by: Alan Harris
Visual Effects Supervisor
'Call the Midwife' Episode #8.3 (2019)
Directed by: Kate Saxon
Cinematography by: Gareth Hughes
Edited by: Andy Morrison
Visual Effects Supervisor
'Call the Midwife' Episode #8.6 (2019)
Directed by: Christiana Ebohon
Cinematography by: Stuart Biddlecombe
Edited by: Louise Pearson
Visual Effects Supervisor
'Call the Midwife' Episode #8.7 (2019)
Directed by: Christiana Ebohon
Cinematography by: Stuart Biddlecombe
Edited by: Louise Pearson
Visual Effects Supervisor
'Call the Midwife' Episode #8.8 (2019)
Directed by: Kate Cheeseman
Cinematography by: Henry Pierce
Edited by: Liz Webber
Visual Effects Artist: Filmgate / Visual Effects Supervisor: Filmgate
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor: MPC
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Digital Compositor
'Call the Midwife' Episode #5.2 (2016)
Directed by: Syd Macartney
Cinematography by: Mark Garrett
Edited by: Mary Finlay
Digital Compositor
'Call the Midwife' Episode #5.1 (2016)
Directed by: Syd Macartney
Cinematography by: Mark Garrett
Edited by: Mary Finlay
Digital Compositor
'Call the Midwife' Episode #5.3 (2016)
Directed by: Sheree Folkson
Cinematography by: Toby Moore
Edited by: Mark Thornton
Digital Compositor
'Call the Midwife' Episode #5.5 (2016)
Directed by: Lisa Clarke
Cinematography by: Len Gowing
Edited by: Rachel Hoult
Digital Compositor: MPC
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor / Digital Compositor: Rodeo FX
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Digital Compositor
'Call the Midwife' Episode #5.8 (2016)
Directed by: Darcia Martin
Cinematography by: Toby Moore
Edited by: Paul Brown
Digital Compositor
'Call the Midwife' Episode #5.7 (2016)
Directed by: Darcia Martin
Cinematography by: Toby Moore
Edited by: Paul Brown
Digital Compositor
'Call the Midwife' Episode #5.6 (2016)
Directed by: Lisa Clarke
Cinematography by: Len Gowing
Edited by: Rachel Hoult
Digital Compositor
'Call the Midwife' Episode #5.4 (2016)
Directed by: Sheree Folkson
Cinematography by: Toby Moore
Edited by: Mark Thornton
Digital Compositor
'Call the Midwife' Episode #4.8 (2015)
Directed by: Darcia Martin
Cinematography by: Mark Waters
Edited by: Paul Brown
Digital Compositor
'Call the Midwife' Episode #4.7 (2015)
Directed by: Darcia Martin
Cinematography by: Mark Waters
Edited by: Paul Brown
Digital Compositor
'Call the Midwife' Episode #4.6 (2015)
Directed by: Dominic Leclerc
Cinematography by: Polly Morgan
Edited by: Simon Brasse
Digital Compositor
'Call the Midwife' Christmas Special (2015)
Directed by: Juliet May
Cinematography by: Toby Moore
Edited by: Jake Bernard
Digital Compositor
Bølgen (2015)
Directed by: Roar Uthaug
Cinematography by: John Christian Rosenlund
Edited by: Christian Siebenherz
Cameras: Red Epic Dragon Camera
Compositor
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Digital Compositor / Visual Effects Supervisor - 19 Episodes, 2015-2019
Call the Midwife (2012)
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Compositor
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Compositor
Hatchet (2006)
Directed by: Adam Green
Cinematography by: Will Barratt
Edited by: Christopher Roth
