Additional Sound Effects
Hatred of a Minute (2002)
Directed by: Michael Kallio
Cinematography by: George Lieber
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Editing System: Apple Final Cut Pro 7
Sound Effects Editor
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Supervising Sound Editor: MPSE
Ringmaster (1998)
Directed by: Neil Abramson
Cinematography by: Russell j Lyster
Edited by: Suzanne Hines
Sound Effects Editor
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Sound Effects Editor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Sound Effects Editor
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Sound Editor
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Sound Effects Editor
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Sound Effects Editor
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Sound Effects Editor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Supervising Sound Editor
Love and a .45 (1994)
Directed by: C.M. Talkington
Cinematography by: Tom Richmond
Edited by: Bob Ducsay
Supervising Sound Editor
Return of the Living Dead III (1993)
Directed by: Brian Yuzna
Cinematography by: Gerry Lively
Edited by: Christopher Roth
Supervising Sound Editor
Brain Smasher... A Love Story (1993)
Directed by: Albert Pyun
Cinematography by: George Mooradian
Edited by: Lauren A. Schaffer
Supervising Sound Editor
One False Move (1992)
Directed by: Carl Franklin
Cinematography by: James L. Carter
Edited by: Carole Kravetz Aykanian
Supervising Sound Editor
Lionheart (1990)
Directed by: Sheldon Lettich
Cinematography by: Robert C. New
Edited by: Mark Conte
Co-supervising Sound Editor
Halloween 5: The Revenge of Michael Myers (1989)
Directed by: Dominique Othenin-Girard
Cinematography by: Robert Draper
Cameras: ARRI Cameras
Sound Designer
Near Dark (1987)
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Supervising Sound Editor
Hot Pursuit (1987)
Directed by: Steven Lisberger
Cinematography by: Frank Tidy
Edited by: Mitchell Sinoway
Additional Sound Effects
Evil Dead II (1987)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Kaye Davis
Sound Designer
Sister, Sister (1987)
Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz
Supervising Sound Editor: Hollywood
Moscow on the Hudson (1984)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
Sound Designer
The Philadelphia Experiment (1984)
Directed by: Stewart Raffill
Cinematography by: Dick Bush
Edited by: Neil Travis
Supervising Sound Editor
The Dead Zone (1983)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Sound Effects Designer
Lone Wolf McQuade (1983)
Directed by: Steve Carver
Cinematography by: Roger Shearman
Edited by: Anthony Redman
Supervising Sound Editor
Twilight Zone: The Movie (1983)
Sound Editor
Flicks (1983)
Cinematography by: Scott Miller
Edited by: Barbara Pokras
Cameras: Panavision Cameras
Supervising Sound Editor
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Supervising Sound Editor
Galaxy of Terror (1981)
Directed by: Bruce D. Clark
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Sound Editor
Escape from New York (1981)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Cameras: Panavision Panaflex Gold Camera
Supervising Sound Editor
Safari 3000 (1980)
Directed by: Harry Hurwitz
Cinematography by: Adam Greenberg
Edited by: Samuel E. Beetley
