Scanning And Recording Supervisor
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Scanning And Recording Supervisor
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Scanning And Recording Supervisor
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Digital Camera Supervisor
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Scanning And Recording Supervisor: Rhythm & Hues
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Scan/record Supervisor: Rhythm & Hues
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Digital Camera Supervisor
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Digital Camera Supervisor: Warner Digital
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Camera Supervisor
Mousehunt (1997)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Digital Camera Supervisor
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Digital Camera Supervisor: Warner Digital Studio
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Digital Recording: Boss Film
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Second Assistant Camera
Ring of Steel (1994)
Directed by: David Frost
Cinematography by: MacKenzie Waggaman
Edited by: Norman Buckley
Second Assistant Camera: Second Unit
Cyborg 3: The Recycler (1994)
Directed by: Michael Schroeder
Cinematography by: Phil Parmet
Edited by: Barry Zetlin
Electrician
Psycho Cop Returns (1993)
Directed by: Adam Rifkin
Cinematography by: Adam Kane
Edited by: Peter Schink
