Optical Effects Manager: Dfilm Services
Two Hands (1999)
Directed by: Gregor Jordan
Cinematography by: Malcolm McCulloch
Edited by: Lee Smith
Visual Effects
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Opticals
Kiss or Kill (1997)
Directed by: Bill Bennett
Cinematography by: Malcolm McCulloch
Edited by: Henry Dangar
Optical Effects Manager: Dfilm
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Optical Effects Manager: Dfilm
Paradise Road (1997)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Optical Effects Manager
Children of the Revolution (1996)
Directed by: Peter Duncan
Cinematography by: Martin McGrath
Edited by: Simon Martin
Visual Effects
The Quiet Room (1996)
Directed by: Rolf de Heer
Cinematography by: Tony Clark
Edited by: Tania Nehme
Visual Effects
Shine (1996)
Directed by: Scott Hicks
Cinematography by: Geoffrey Simpson
Edited by: Pip Karmel
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Opticals
Babe (1995)
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Visual Effects
The Adventures of Priscilla, Queen of the Desert (1994)
Directed by: Stephan Elliott
Cinematography by: Brian J. Breheny
Edited by: Sue Blainey
Visual Effects
Rapa Nui (1994)
Directed by: Kevin Reynolds
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Opticals
Little Women (1994)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Opticals
The Piano (1993)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Visual Effects
Map of the Human Heart (1992)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Opticals
Black Robe (1991)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Optical Effects
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock
Optical
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Visual Effects
Father (1990)
Directed by: John Power
Cinematography by: Dan Burstall
Edited by: Kerry Regan
Visual Effects
Outback (1989)
Directed by: Ian Barry
Cinematography by: Ross Berryman
Edited by: Henry Dangar
Special Visual Effects & Opticals
Dead Calm (1989)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: Richard Francis-Bruce
Visual Effects
Young Einstein (1988)
Directed by: Yahoo Serious
Cinematography by: Jeff Darling
Cameras: Panavision Cameras
Visual Effects
Crocodile Dundee II (1988)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Visual Effects
Les Patterson Saves the World (1987)
Directed by: George Miller
Cinematography by: David Connell
Edited by: Tim Wellburn
Visual Effects Coordinator
High Tide (1987)
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Visual Effects
Dark Age (1987)
Directed by: Arch Nicholson
Cinematography by: Andrew Lesnie
Edited by: Adrian Carr
Opticals: Australia
Crocodile Dundee (1986)
Directed by: Peter Faiman
Cinematography by: Russell Boyd
Edited by: David Stiven
Visual Effects
The Quest (1985)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Brian Kavanagh
Visual Effects
Razorback (1984)
Directed by: Russell Mulcahy
Cinematography by: Dean Semler
Edited by: William M. Anderson
Cameras: Panavision Panaflex Gold Camera
Editing System: Steenbeck Editing System
Visual Effects
Second Time Lucky (1984)
Directed by: Michael Anderson
Cinematography by: John R. McLean
Edited by: Tony Paterson
Opticals
Turkey Shoot (1982)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Alan Lake
Visual Effects
The Pirate Movie (1982)
Directed by: Ken Annakin
Cinematography by: Robin Copping
Edited by: Ken Zemke
Cameras: Panavision Cameras
Visual Effects
Gallipoli (1981)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Cameras: Panavision Cameras
Visual Effects
Road Games (1981)
Directed by: Richard Franklin
Cinematography by: Vincent Monton
Edited by: Edward McQueen-Mason
Visual Effects
Fatty Finn (1980)
Directed by: Maurice Murphy
Cinematography by: John Seale
Edited by: Robert Gibson
Visual Effects
Tim (1979)
Directed by: Michael Pate
Cinematography by: Paul Onorato
Edited by: David Stiven
Visual Effects
Mad Max (1979)
Directed by: George Miller
Cinematography by: David Eggby
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
Visual Effects
My Brilliant Career (1979)
Directed by: Gillian Armstrong
Cinematography by: Donald McAlpine
Edited by: Nicholas Beauman
Visual Effects
The F.J. Holden (1977)
Directed by: Michael Thornhill
Cinematography by: David Gribble
Edited by: Max Lemon
Visual Effects
The Getting of Wisdom (1977)
Directed by: Bruce Beresford
Cinematography by: Donald McAlpine
Edited by: William M. Anderson