Special Effects Technician
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Compositor
The Tailor of Panama (2001)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ron Davis
Cameras: Panavision Panaflex Platinum Camera
Digital Effects Producer: Hypnosis
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Visual Effects Supervisor: General Screen Enterprises
Shadow of the Vampire (2000)
Directed by: E. Elias Merhige
Cinematography by: Lou Bogue
Edited by: Chris Wyatt
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
Digital Compositor
Guest House Paradiso (1999)
Directed by: Adrian Edmondson
Cinematography by: Alan Almond
Edited by: Sean Barton
Additional Digital Opticals
Sofies verden (1999)
Directed by: Erik Gustavson
Cinematography by: Kjell Vassdal
Edited by: Anne Andressen
Cameras: Panavision Cameras
Digital Compositor
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Digital Compositor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Hilary and Jackie (1998)
Directed by: Anand Tucker
Cinematography by: David Johnson
Edited by: Martin Walsh
Digital Effects: General Screen Enterprises
Dancing at Lughnasa (1998)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Humphrey Dixon
Visual Effects Producer
Vigo (1998)
Directed by: Julien Temple
Cinematography by: John Mathieson
Edited by: Marie-Thérèse Boiché
Digital Effects Producer
Little Voice (1998)
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Digital Compositor
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Optical Effects
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Optical Effects And Titles
Restoration (1995)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Optical Camera
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Optical Effects
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Optical Effects
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Optical Effects
Jekyll & Hyde (1990)
Directed by: David Wickes
Cinematography by: Norman Langley
Edited by: John Shirley
Optical Camera
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Optical Effects
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Optical Effects, Special Photographic Effects
Biggles: Adventures in Time (1986)
Directed by: John Hough
Cinematography by: Ernest Vincze
Edited by: Richard Trevor
Optical Effects
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Optical Effects
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
