Producer, Unit Production Manager
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Producer, Unit Production Manager
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Executive Producer, Unit Production Manager
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Executive Producer
Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Executive Producer, Unit Production Manager
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Production Consultant
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Line Producer: California
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Line Producer: California - Segment "death Proof"
Grindhouse (2007)
Executive Producer, Second Unit Director
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Executive Producer
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer, Second Unit Director , Unit Production Manager: Morocco
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer, Second Unit Director
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Executive Producer, First Assistant Director
The Fan (1996)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Associate Producer, First Assistant Director
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Executive Producer, First Assistant Director, Second Unit Director
Mixed Nuts (1994)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Co-producer, First Assistant Director
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Associate Producer, First Assistant Director
Sleepless in Seattle (1993)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
First Assistant Director
HouseSitter (1992)
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
First Assistant Director
The Last Boy Scout (1991)
Directed by: Tony Scott
Cinematography by: Ward Russell
First Assistant Director
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director
Dead Bang (1989)
Directed by: John Frankenheimer
Cinematography by: Gerry Fisher
Edited by: Robert F. Shugrue
Second Assistant Director
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Second Assistant Director
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Second Assistant Director
Mannequin (1987)
Directed by: Michael Gottlieb
Cinematography by: Tim Suhrstedt
Second Assistant Director
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Second Assistant Director
A Chorus Line (1985)
Directed by: Richard Attenborough
Cinematography by: Ronnie Taylor
Edited by: John Bloom
Production Assistant
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Production Assistant
The Lonely Guy (1984)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Production Assistant
Eddie and the Cruisers (1983)
Directed by: Martin Davidson
Cinematography by: Fred Murphy
Edited by: Priscilla Nedd-Friendly
Cameras: Panavision Cameras
Production Assistant
Easy Money (1983)
Directed by: James Signorelli
Cinematography by: Fred Schuler
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
