Jamie Horwitz

15 Titles

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Trainwreck | ShotOnWhat?

First Assistant Accountant

Trainwreck (2015)

Directed by: Judd Apatow

Cinematography by: Jody Lee Lipes

Edited by: William Kerr, Paul Zucker

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke 5/i Lenses

The Big Short | ShotOnWhat?

First Assistant Accountant: Ny Unit

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

John Wick | ShotOnWhat?

First Assistant Accountant

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

First Assistant Accountant

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Admission | ShotOnWhat?

First Assistant Accountant

Admission (2013)

Directed by: Paul Weitz

Cinematography by: Declan Quinn

Edited by: Joan Sobel

Cameras: ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Man on a Ledge | ShotOnWhat?

First Assistant Accountant

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Remember Me | ShotOnWhat?

Second Assistant Accountant

Remember Me (2010)

Directed by: Allen Coulter

Cinematography by: Jonathan Freeman

Edited by: Andrew Mondshein

It's Kind of a Funny Story | ShotOnWhat?

First Assistant Accountant

It's Kind of a Funny Story (2010)

Directed by: Anna Boden, Ryan Fleck

Cinematography by: Andrij Parekh

Edited by: Anna Boden

Away We Go | ShotOnWhat?

First Assistant Accountant: Florida

Away We Go (2009)

Directed by: Sam Mendes

Cinematography by: Ellen Kuras

Edited by: Sarah Flack

Confessions of a Shopaholic | ShotOnWhat?

Second Assistant Accountant

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bachelor Party 2: The Last Temptation | ShotOnWhat?

Clearances

Bachelor Party 2: The Last Temptation (2008)

Direct to Video

Directed by: James Ryan

Cinematography by: Roy H. Wagner

Edited by: Robert Komatsu

The Great Debaters | ShotOnWhat?

Second Assistant Accountant

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Next | ShotOnWhat?

Accounting Clerk

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Flags of Our Fathers | ShotOnWhat?

Accounting Clerk

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Flightplan | ShotOnWhat?

Effects Production Assistant

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

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