ShotOnWhat?
Search

James M. McEwen

  16 Titles
Is this you? Add a Profile
War of the Worlds | ShotOnWhat?

Visual Effects Gaffer: New Deal Studios Inc.

War of the Worlds  (2005)

Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras:
Lenses:
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Gaffer: New Deal Studios, Post-production

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe  (2005)

Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Edited by: Sim Evan-Jones, Jim May
Cameras: , ,
Lenses:
Editing System:
Terminator 3: Rise of the Machines | ShotOnWhat?

Gaffer: Visual Effects Unit

Terminator 3: Rise of the Machines  (2003)

Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Edited by: Nicolas De Toth, Neil Travis
Cameras:
Lenses:
Editing System:
Wonderland | ShotOnWhat?

Chief Lighting Technician

Wonderland  (2003)

Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Picking Up the Pieces | ShotOnWhat?

Gaffer: Second Unit

Picking Up the Pieces  (2000)

Directed by: Alfonso Arau
Cinematography by: Vittorio Storaro
Edited by: Michael R. Miller
American Beauty | ShotOnWhat?

Visual Effects Gaffer: Second Unit

American Beauty  (1999) oscar-icon

Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Tariq Anwar, Christopher Greenbury
Cameras:
Lenses:
Sleepy Hollow | ShotOnWhat?

Electrician: New York

Sleepy Hollow  (1999)

Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Edited by: Chris Lebenzon, Joel Negron
Cameras:
Lenses:
Armageddon | ShotOnWhat?

Chief Lighting Technician: Second Unit

Armageddon  (1998)

Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras: , ,
Lenses: ,
Batman & Robin | ShotOnWhat?

Chief Lighting Technician: The Chandler Group

Batman & Robin  (1997)

Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Edited by: Mark Stevens, Dennis Virkler
Broken Arrow | ShotOnWhat?

Chief Lighting Technician: Chandler

Broken Arrow  (1996)

Directed by: John Woo
Cinematography by: Peter Levy
Edited by: Joe Hutshing, Steve Mirkovich, John Wright
Cameras:
Batman Forever | ShotOnWhat?

Chief Lighting Technician: The Chandler Group

Batman Forever  (1995)

Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Edited by: Mark Stevens, Dennis Virkler
Cameras:
Lenses:
Editing System:
Far and Away | ShotOnWhat?

Electrician

Far and Away  (1992)

Directed by: Ron Howard
Cinematography by: Mikael Salomon
Edited by: Daniel P. Hanley, Mike Hill
Cameras: , ,
Lenses: ,
Always | ShotOnWhat?

Electrician

Always  (1989)

Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras:
Lenses:
The Abyss | ShotOnWhat?

Best Boy Electric

The Abyss  (1989)

Directed by: James Cameron
Cinematography by: Mikael Salomon
Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Cameras: ,
Raising Arizona | ShotOnWhat?

Consultant

Raising Arizona  (1987)

Directed by: Joel Coen, Ethan Coen
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Still Smokin | ShotOnWhat?

, Production Assistant

Still Smokin  (1983)

Directed by: Tommy Chong
Cinematography by: Harvey Harrison
Edited by: James Coblentz, Ian Crafford, David Ramirez
Follow ShotOnWhat?

Recently Updated

  • Als Het Leven Soms Anders Is
  • The Beach
  • What Just Happened
  • Terminator: Dark Fate
  • The Office
  • Blade Runner
  • Avant-Drag!
  • Longlegs
  • Minority Report
  • Gold Star
  • The Terminator
  • Lefka Hristougenna 1948
  • Eike, Tudo ou Nada
  • Je Bent Al Hier
  • Rups
  • The Feather
  • True Lies
  • Munich
  • Maître du monde
  • Trap
  • The Favourite
  • Cartel Land
  • 1941
  • Raiders of the Lost Ark
  • Poor Things
  • Jaws
  • Mary and Max
  • The Killing of a Sacred Deer
  • The Sugarland Express
  • Venus Effect
  • Kinds of Kindness
  • The Good, the Bad and the Ugly
©2012 - 2024 ShotOnWhat?
20254.20  
Save ShotOnWhat?
Maybe later