Alexis Marzin

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Ghost in the Shell | ShotOnWhat?

Adr Mixer: Creative Sound Paris

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Gunman | ShotOnWhat?

Dolby Atmos At Home Mastering Engineer

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

We Are Your Friends | ShotOnWhat?

Dolby Atmos At Home Mastering Engineer

We Are Your Friends (2015)

Directed by: Max Joseph

Cinematography by: Brett Pawlak

Edited by: David Diliberto, Terel Gibson

Cameras: Red Epic Dragon Camera

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Dolby Atmos At Home Mastering Engineer

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Respire | ShotOnWhat?

Assistant ADR Engineer

Respire (2014)

Directed by: Mélanie Laurent

Cinematography by: Arnaud Potier

Edited by: Guerric Catala

Cameras: ARRI ALEXA Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Canon K35 Prime Lenses

Le temps des aveux | ShotOnWhat?

Assistant Adr Engineer

Le temps des aveux (2014)

Directed by: Régis Wargnier

Cinematography by: Renaud Chassaing

Edited by: Véronique Lange, Yann Malcor

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Taken 3 | ShotOnWhat?

Dolby Atmos At Home Mastering Engineer

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Pop Redemption | ShotOnWhat?

Mix Assistant, Sound Mix Technician

Pop Redemption (2013)

Directed by: Martin Le Gall

Cinematography by: Frédéric Nony

Edited by: Christophe Pinel

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mais qui a re-tué Pamela Rose? | ShotOnWhat?

Assistant Music Mixer

Mais qui a re-tué Pamela Rose? (2012)

Directed by: Olivier Baroux, Kad Merad

Cinematography by: Régis Blondeau

Edited by: Elodie Codaccioni

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Beloved | ShotOnWhat?

Sound Mix Technician

Beloved (2011)

Directed by: Christophe Honoré

Cinematography by: Rémy Chevrin

Edited by: Chantal Hymans

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