Digital Effects Artist: Neo Digital
Pulse (2006)
Directed by: Jim Sonzero
Cinematography by: Mark Plummer
Visual Effects Supervisor: Pre-production
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Digital Artist: Ring Of Fire/Engine Room
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Visual Effects Supervisor: BWVFX
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Digital Effects Supervisor: Dream Quest
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Visual Effects Supervisor: Opening Sequence
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Pre-vis Supervisor: DQI
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Visual Effects Supervisor
Deadly Invasion: The Killer Bee Nightmare (1995)
Directed by: Rockne S. O'Bannon
Cinematography by: Matthew Williams
Edited by: Stephen Adrianson
Visual Effects Technical Supervisor
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Visual Effects: Motion Pixel Corp.
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
