Martin Taylor

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The Golden Compass | ShotOnWhat?

Digital Compositor

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Goal II: Living the Dream | ShotOnWhat?

Digital Compositor

Goal II: Living the Dream (2007)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Niven Howie

28 Weeks Later | ShotOnWhat?

Digital Compositor: Framestore CFC

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Mr. Bean's Holiday | ShotOnWhat?

Digital Compositor

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Superman Returns | ShotOnWhat?

Compositor: Framestore CFC

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

V for Vendetta | ShotOnWhat?

Paint/roto Artist

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Doom | ShotOnWhat?

Digital Paint Artist: Framestore CFC

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

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