Joey Moran

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"1923" Nothing Left to Lose | ShotOnWhat?

Rigging Gaffer / Rigging Gaffer

'1923' Nothing Left to Lose (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe

"1923" The Rule of Five Hundred | ShotOnWhat?

Rigging Gaffer

'1923' The Rule of Five Hundred (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Christopher Gay

"1923" One Ocean Closer to Destiny | ShotOnWhat?

Rigging Gaffer

'1923' One Ocean Closer to Destiny (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Todd Desrosiers, Chad Galster

"1923" Ghost of Zebrina | ShotOnWhat?

Rigging Gaffer

'1923' Ghost of Zebrina (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Christopher Gay

"1923" War and the Turquoise Tide | ShotOnWhat?

Rigging Gaffer

'1923' War and the Turquoise Tide (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe, Byron Smith

"1923" The War Has Come Home | ShotOnWhat?

Rigging Gaffer

'1923' The War Has Come Home (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

1923 | ShotOnWhat?

Rigging Gaffer / Rigging Gaffer - 6 Episodes, 2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

1883 | ShotOnWhat?

Rigging Gaffer - 10 Episodes, 2021-2022

1883 (2021)

TV Mini Series

Directed by: Ben Richardson, Christina Alexandra Voros, Taylor Sheridan

Cinematography by: Ben Richardson, Christina Alexandra Voros

Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy

Terminator Genisys | ShotOnWhat?

Rigging Electric Gang Boss

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Rigging Electric Gang Boss

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Hangover Part III | ShotOnWhat?

Rigging Electric

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Lighting Technician

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek Into Darkness | ShotOnWhat?

Rigging Electrician

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Larry Crowne | ShotOnWhat?

Rigging Electrician

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Hangover Part II | ShotOnWhat?

Electrician

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Due Date | ShotOnWhat?

Lighting Technician

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

I Love You, Man | ShotOnWhat?

Lighting Technician

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Star Trek | ShotOnWhat?

Lighting Technician: Second Unit

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

The Hangover | ShotOnWhat?

Electrician

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Semi-Pro | ShotOnWhat?

Lighting Technician

Semi-Pro (2008)

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

The Last Sentinel | ShotOnWhat?

Best Boy Electric

The Last Sentinel (2007)

Directed by: Jesse V. Johnson

Cinematography by: Robert Hayes

Edited by: Ken Blackwell

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