Tony X. Deale

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American Sniper | ShotOnWhat?

Assistant Production Coordinator / Assistant To Executive Producer

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Need for Speed | ShotOnWhat?

Assistant Production Coordinator / Assistant To Executive Producer

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Trouble with the Curve | ShotOnWhat?

Assistant To Executive Producer

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

J. Edgar | ShotOnWhat?

Assistant: Mr. Moore

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

In the Land of Blood and Honey | ShotOnWhat?

Assistant To Producer

In the Land of Blood and Honey (2011)

Directed by: Angelina Jolie

Cinematography by: Dean Semler

Edited by: Patricia Rommel

Hereafter | ShotOnWhat?

Assistant: Mr. Moore

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Invictus | ShotOnWhat?

Staff Assistant

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Changeling | ShotOnWhat?

Staff Assistant

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

An American Carol | ShotOnWhat?

Production Associate, Security Guard

An American Carol (2008)

Directed by: David Zucker

Cinematography by: Brian Baugh

Edited by: Vashi Nedomansky

Gran Torino | ShotOnWhat?

Production Associate

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Animal Factory | ShotOnWhat?

Driver: Cast

Animal Factory (2000)

Directed by: Steve Buscemi

Cinematography by: Phil Parmet

Edited by: Kate Williams

The General's Daughter | ShotOnWhat?

Rigging Grip

The General's Daughter (1999)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Storm Catcher | ShotOnWhat?

Key Grip: Second Unit

Storm Catcher (1999)

Directed by: Anthony Hickox

Cinematography by: David Bridges

Edited by: Brett Hedlund

Dead Man on Campus | ShotOnWhat?

Grip

Dead Man on Campus (1998)

Directed by: Alan Cohn

Cinematography by: John Thomas

Edited by: Debra Chiate

The X Files | ShotOnWhat?

Rigging Grip

The X Files (1998)

Directed by: Rob Bowman

Cinematography by: Ward Russell

Edited by: Stephen Mark

Gods and Monsters | ShotOnWhat?

Grip

Gods and Monsters (1998)

Directed by: Bill Condon

Cinematography by: Stephen M. Katz

Edited by: Virginia Katz

Cameras: ARRIFLEX Camera

A Murder of Crows | ShotOnWhat?

Grip

A Murder of Crows (1998)

Directed by: Rowdy Herrington

Cinematography by: Robert Primes

Edited by: Harry B. Miller III

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mighty Joe Young | ShotOnWhat?

Rigging Grip

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Money Talks | ShotOnWhat?

Grip

Money Talks (1997)

Directed by: Brett Ratner

Cinematography by: Russell Carpenter, Robert Primes

Edited by: Mark Helfrich

Trial and Error | ShotOnWhat?

Grip

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

A Friend's Betrayal | ShotOnWhat?

Grip

A Friend's Betrayal (1996)

Television Movie

Directed by: Christopher Leitch

Cinematography by: Robert Primes

Edited by: Martin Nicholson

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