Software Development: MPC
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Optical Effects: BiPack Inc.
Cherry Falls (2000)
Directed by: Geoffrey Wright
Cinematography by: Anthony B. Richmond
Edited by: John F. Link
Optical Effects: BiPack Inc.
Dusk Till Dawn 2: Texas Blood Money (1999)
Directed by: Scott Spiegel
Cinematography by: Philip Lee
Color Imaging Supervisor: Warner Digital
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Visual Effects, Color Imaging Supervisor: Warner Digital
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Visual Effects: Color Imaging Supervisor: Warner Digital
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Optical Effects Supervision: Title House Inc.
The Sunchaser (1996)
Directed by: Michael Cimino
Cinematography by: Douglas Milsome
Edited by: Joe D'Augustine
Color Imaging Supervisor: Warner Digital Studios
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Optical Composites: Enemy Ghost Sequence, Todd Masters Company
The Prophecy (1995)
Directed by: Gregory Widen
Edited by: Sonny Baskin
Optical Supervisor, Main Title Sequence: Title House Inc.
Warlock: The Armageddon (1993)
Directed by: Anthony Hickox
Cinematography by: Gerry Lively
Optical Supervisor
Weekend at Bernie's II (1993)
Directed by: Robert Klane
Cinematography by: Edward Morey III
Edited by: Peck Prior
Optical Supervisor
Rage and Honor (1992)
Directed by: Terence H. Winkless
Cinematography by: Thomas L. Callaway
Edited by: David Byron Lloyd
Optical Supervisor
Poison Ivy (1992)
Directed by: Katt Shea
Cinematography by: Phedon Papamichael
Edited by: Gina Mittelman
Optical Supervisor: Title House Inc.
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Opticals
Dolly Dearest (1991)
Directed by: Maria Lease
Cinematography by: Eric D. Andersen
Edited by: Geoffrey Rowland
Photographic Effects Supervisor
Communion (1989)
Directed by: Philippe Mora
Cinematography by: Louis Irving
Edited by: Lee Smith
Special Optical Effects Lineup & Plotting: Pacific Title
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Optical Effects Lineup & Plotting: Ray Mercer & Co.
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Cameras: Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras
Lenses: Panavision Lenses
