Still Photographer
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Still Photographer
The Banshees of Inisherin (2022)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Mikkel E.G. Nielsen
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime Lenses
Still Photographer
'Into the Badlands' Chapter XXXII: Seven Strike as One (2019)
Directed by: Paco Cabezas
Cinematography by: Sam McCurdy
Edited by: Jay Prychidny
Still Photographer
'Into the Badlands' Chapter XXXI: Requiem for the Fallen (2019)
Directed by: Paco Cabezas
Cinematography by: Sam McCurdy
Edited by: Erin Deck
Still Photographer
'Into the Badlands' Chapter XXX: Curse of the Red Rain (2019)
Directed by: Miles Millar
Cinematography by: Owen McPolin
Edited by: Ben Wilkinson
Still Photographer
'Into the Badlands' Chapter XXIX: Black Lotus, White Rose (2019)
Directed by: Miles Millar
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Still Photographer
'Into the Badlands' Chapter XXVIII: Cobra Fang, Panther Claw (2019)
Directed by: Tricia Brock
Cinematography by: Jean-Philippe Gossart
Edited by: Erin Deck
Still Photographer
'Into the Badlands' Chapter XXVII: The Boar and the Butterfly (2019)
Directed by: Tricia Brock
Cinematography by: Jean-Philippe Gossart
Edited by: Jay Prychidny
Still Photographer
'Into the Badlands' Chapter XXVI: Raven's Feather, Phoenix Blood (2019)
Directed by: Wayne Yip
Cinematography by: P.J. Dillon
Edited by: Ben Wilkinson
Still Photographer
'Into the Badlands' Chapter XXV: Chamber of the Scorpion (2019)
Directed by: Wayne Yip
Cinematography by: P.J. Dillon
Edited by: Paul G. Day
Still Photographer
'Into the Badlands' Chapter XXIV: Leopard Catches Cloud (2018)
Directed by: Paco Cabezas
Cinematography by: Sam McCurdy
Edited by: Erin Deck
Still Photographer
'Into the Badlands' Chapter XXIII: Dragonfly's Last Dance (2018)
Directed by: Paco Cabezas
Cinematography by: Sam McCurdy
Edited by: Jay Prychidny
Still Photographer
'Into the Badlands' Chapter XXII: Black Wind Howls (2018)
Directed by: James Marshall
Cinematography by: Daniel Aranyó
Edited by: Ben Wilkinson
Still Photographer
'Into the Badlands' Chapter XXI: Carry Tiger to Mountain (2018)
Directed by: James Marshall
Cinematography by: Daniel Aranyó
Edited by: Paul G. Day
Still Photographer
'Into the Badlands' Chapter XX: Blind Cannibal Assassins (2018)
Directed by: Toa Fraser
Cinematography by: Denis Crossan
Edited by: Jay Prychidny
Still Photographer
'Into the Badlands' Chapter XIX: Leopard Snares Rabbit (2018)
Directed by: Toa Fraser
Cinematography by: Denis Crossan
Edited by: Erin Deck
Still Photographer
'Into the Badlands' Chapter XVIII: Moon Rises, Raven Seeks (2018)
Directed by: Paco Cabezas
Cinematography by: Daniel Aranyó
Edited by: Paul G. Day
Still Photographer
'Into the Badlands' Chapter XVII: Enter the Phoenix (2018)
Directed by: Paco Cabezas
Cinematography by: Daniel Aranyó
Edited by: Ben Wilkinson
Still Photographer
All the Money in the World (2017)
Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Still Photographer: Northern Ireland
The Bookshop (2017)
Directed by: Isabel Coixet
Cinematography by: Jean-Claude Larrieu
Edited by: Bernat Aragonés
Cameras: ARRI ALEXA XT Plus Camera
Still Photographer
The Lost City of Z (2016)
Directed by: James Gray
Cinematography by: Darius Khondji
Still Photographer - 16 Episodes, 2018-2019
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Additional Stills Photographer
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Still Photographer: Northern Ireland
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Stills Photographer
Behold the Lamb (2011)
Directed by: John McIlduff
Cinematography by: Steeven Petitteville
Edited by: Nick Emerson
Cameras: ARRIFLEX 16mm Cameras
Lenses: Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses
Editing System: Avid Editing System
Still Photographer
The Shore (2011)
Directed by: Terry George
Cinematography by: Michael McDonough
Edited by: Joe Landauer
