Second Assistant A Cam 2nd Unit
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Second Assistant Camera: C Camera
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Second Assistant Camera: Utah Unit
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Second Assistant Camera: Utah Unit
'Westworld' Akane no Mai (2018)
Directed by: Craig Zobel
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Second Assistant Camera: Utah Unit
'Westworld' The Riddle of the Sphinx (2018)
Directed by: Lisa Joy
Cinematography by: John Grillo
Edited by: Andrew Seklir
Second Assistant Camera: Utah Unit
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Second Assistant Camera: Utah Unit
'Westworld' Reunion (2018)
Directed by: Vincenzo Natali
Cinematography by: John Grillo
Edited by: David Eisenberg
Second Assistant Camera: Utah Unit
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Loader / Second Assistant Camera: Utah Unit / B Camera Second Assistant Camera - 14 Episodes, 2016-2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Loader
'Westworld' Chestnut (2016)
Directed by: Richard J. Lewis
Cinematography by: Brendan Galvin
Edited by: Mark Yoshikawa
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'Westworld' The Stray (2016)
Directed by: Neil Marshall
Cinematography by: Robert McLachlan
Edited by: Andrew Seklir
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'Westworld' Dissonance Theory (2016)
Directed by: Vincenzo Natali
Cinematography by: Brendan Galvin
Edited by: Tanya M. Swerling
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'Westworld' Contrapasso (2016)
Directed by: Jonny Campbell
Cinematography by: Robert McLachlan
Edited by: Mark Yoshikawa
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'Westworld' The Adversary (2016)
Directed by: Frederick E.O. Toye
Edited by: Tanya M. Swerling
Loader
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
B Camera Second Assistant Camera
'Westworld' The Well-Tempered Clavier (2016)
Directed by: Michelle MacLaren
Cinematography by: Jeffrey Jur
Edited by: Mark Yoshikawa
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Leaky Dreamcatcher (2015)
Directed by: Steven K. Tsuchida
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' The Mystery of the Blood Moon Eclipse (2015)
Directed by: Sasie Sealy
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Ranger and the Mysterious Metamorphosis (2015)
Directed by: Eduardo Enrique Mayén
Cinematography by: Francisco Bulgarelli
Edited by: Cheryl Campsmith
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Surprise Signature (2015)
Directed by: J.J. Johnson
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Second Assistant Camera: A Camera
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Loader
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Film Loader
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer vs. The Relentless Rainbow of Joy (2015)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Lost Treasure of Normal Street (2015)
Directed by: Suzi Yoonessi
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Mel vs. The Fickle Fortune Teller of Fate (2015)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer vs. The Mobile of Misfortune (2014)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer and the Mystical Mind Eraser (2014)
Directed by: Joe Nussbaum
Cinematography by: Eduardo Enrique Mayén
Edited by: Cheryl Campsmith
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Gortimer Gets Shushed (2014)
Directed by: Steven K. Tsuchida
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Second Assistant Camera - 12 Episodes, 2014-2015
Gortimer Gibbon's Life on Normal Street (2014)
Directed by: Luke Matheny, Sasie Sealy, Alethea Jones, Ryan Shiraki, Joe Nussbaum, Steven K. Tsuchida, J.J. Johnson, Paul Hoen, Eduardo Enrique Mayén, Suzi Yoonessi, Jonathan Judge
Cameras: Sony PMW-F55 Camera
Lenses: Cooke S4 Lenses
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Ranger and the Legend of Pendragon's Gavel (2014)
Directed by: Alethea Jones
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Second Assistant Camera
'Gortimer Gibbon's Life on Normal Street' Mel vs. the Mel-o-dramatic Robot (2014)
Directed by: Luke Matheny
Cinematography by: Eduardo Enrique Mayén
Edited by: Marcelo Sansevieri
Film Loader
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Assistant Camera
Sorority Party Massacre (2012)
Cinematography by: Steven Parker
Edited by: Mike Hugo
Cameras: Red Digital Cinema Cameras
Camera Production Assistant, Production Assistant
Bucky Larson: Born to Be a Star (2011)
Directed by: Tom Brady
Cinematography by: Michael Barrett
Edited by: Jason Gourson
First Assistant Camera
Almighty Thor (2011)
Directed by: Christopher Ray
Cinematography by: Alexander Yellen
Assistant Camera
Few Options (2011)
Directed by: George A. Pappy Jr.
Cinematography by: Peter Hawkins
Edited by: Giacomo Ambrosini
Assistant Camera
Opus (2011)
Directed by: Micah Levin
Cinematography by: Elie Smolkin
Edited by: Micah Levin
Second Assistant Camera: Reshoot Unit
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Camera Intern
The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It (2010)
Directed by: Craig Moss
Cinematography by: Andrew Strahorn
Edited by: Michel Aller
Second Assistant Camera
Airline Disaster (2010)
Directed by: John Willis III
Cinematography by: Alexander Yellen
Edited by: Mark Atkins
Additional Photography
2010: Moby Dick (2010)
Directed by: Trey Stokes
Cinematography by: Alexander Yellen
Edited by: Alex Evans
Additional Second Assistant Camera
Titanic II (2010)
Directed by: Shane Van Dyke
Cinematography by: Alexander Yellen
Camera Production Assistant, Production Assistant
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
