Debbi Nikkel

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Ready Player One | ShotOnWhat?

Associate Production Manager

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

R.I.P.D. | ShotOnWhat?

Visual Effects Coordinator

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Chasing Mavericks | ShotOnWhat?

Visual Effects Coordinator

Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Parental Guidance | ShotOnWhat?

Visual Effects Coordinator

Parental Guidance (2012)

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

Animation Coordinator

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Visual Effects Coordinator: Rhythm & Hues Studios

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Bolt | ShotOnWhat?

Pre-production Team

Bolt (2008)

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Santa's Slay | ShotOnWhat?

Visual Effects Coordinator

Santa's Slay (2005)

Directed by: David Steiman

Cinematography by: Matthew F. Leonetti

Edited by: Steve Polivka, Julia Wong

Elvis Has Left the Building | ShotOnWhat?

Visual Effects Production Manager: THDX

Elvis Has Left the Building (2004)

Directed by: Joel Zwick

Cinematography by: Paul Elliott

Edited by: Heather Persons

Mission to Mars | ShotOnWhat?

Digital Coordinator: Dream Quest Images

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Inspector Gadget | ShotOnWhat?

Digital 2d Coordinator: DQI

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Armageddon | ShotOnWhat?

Digital Coordinator: DQI

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

My Stepmother Is an Alien | ShotOnWhat?

Effects Auditor

My Stepmother Is an Alien (1988)

Directed by: Richard Benjamin

Cinematography by: Richard H. Kline

Edited by: Jacqueline Cambas

Spaceballs | ShotOnWhat?

Chief Production Auditor: Apogee, Inc.

Spaceballs (1987)

Directed by: Mel Brooks

Cinematography by: Nick McLean

Edited by: Conrad Buff IV

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