Digital Intermediate Colorist
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Digital Intermediate Colourist
How to Deal with an Axe Murderer (2014)
Directed by: Adam Estey
Cinematography by: Kevin Rigney
Edited by: Holly Pavlik
Cameras: ARRI ALEXA Camera
Digital Intermediate Colorist: Digital Film Central Vancouver, Visual Effects Colorist: Digital Film Central Vancouver
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Colorist: Digital Film Central Vancouver
The Good Son: The Life of Ray Boom Boom Mancini (2013)
Directed by: Jesse James Miller
Edited by: Charlie Renfrew
Cameras: Red One Camera
Baselight Colorist
'Arctic Air' Hijacked (2012)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Baselight Colorist
'Arctic Air' Out of a Clear Blue Sky (2012)
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Digital Intermediate Colorist
In Their Skin (2012)
Directed by: Jeremy Power Regimbal
Cinematography by: Norm Li
Edited by: Austin Andrews
Baselight Colorist - 10 Episodes, 2012
Arctic Air (2012)
Baselight Colorist
Becoming Redwood (2012)
Directed by: Jesse James Miller
Cinematography by: David Crone
Edited by: Charlie Renfrew
Cameras: Red One MX Camera
Lenses: Zeiss Super Speed Lenses
Baselight Colorist
'Arctic Air' All the Vital Things (2012)
Directed by: Robert Lieberman
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Baselight Colorist
'Arctic Air' The Professional (2012)
Directed by: Kevin Fair
Cinematography by: Bruce Worrall
Edited by: Rick Martin
Baselight Colorist
'Arctic Air' New North (2012)
Directed by: James Dunnison
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Baselight Colorist
'Arctic Air' Drop in for Lunch (2012)
Directed by: Gary Harvey
Edited by: Lara Mazur
Baselight Colorist
'Arctic Air' Vancouver Is Such a Screwed Up City (2012)
Directed by: Stacey Stewart Curtis
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Baselight Colorist
'Arctic Air' C-TVAK (2012)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Baselight Colorist
'Arctic Air' Northern Lights (2012)
Directed by: Anthony Atkins
Cinematography by: Bruce Worrall
Edited by: Rick Martin
Projectionist
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Colorist
Tucker and Dale vs Evil (2010)
Directed by: Eli Craig
Cinematography by: David Geddes
Edited by: Bridget Durnford
Cameras: Red One Camera
Digital Intermediate Colorist
A Night for Dying Tigers (2010)
Directed by: Terry Miles
Edited by: Terry Miles
Cameras: Red One Camera
Visual Effects Colorist
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Digital Intermediate Colorist: Digital Film Central
Alien Trespass (2009)
Directed by: R.W. Goodwin
Cinematography by: David Moxness
Digital Film Transfer
Entre caníbales (2007)
Directed by: Rodrigo González
Cinematography by: Robert Humphreys
Edited by: Mario Sandoval
Io Technician
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
