Co-producer
Causeway (2022)
Directed by: Lila Neugebauer
Cinematography by: Diego García
Cameras: ARRI ALEXA LF Camera
Co-producer
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Co-producer
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses
Digital Dailies Manager
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Digital Dailies Operator
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Dailies Assistant
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Digital Dailies Operator
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Dailies Manager
Top Five (2014)
Directed by: Chris Rock
Cinematography by: Manuel Alberto Claro
Edited by: Anne McCabe
Digital Dailies Operator
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
