Yvan Quehec

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Dunkirk | ShotOnWhat?

Electrician France

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Electrician

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

La femme du Vème | ShotOnWhat?

Additional Electrician

La femme du Vème (2011)

Directed by: Pawel Pawlikowski

Cinematography by: Ryszard Lenczewski

Edited by: David Charap

Point Blank | ShotOnWhat?

Rigging Gaffer

Point Blank (2010)

Directed by: Fred Cavayé

Cinematography by: Alain Duplantier

Edited by: Benjamin Weill

Seuls Two | ShotOnWhat?

Rigging Gaffer

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

A Good Year | ShotOnWhat?

Best Boy Electric

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Marie Antoinette | ShotOnWhat?

Electrician

Marie Antoinette (2006)

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Ils se marièrent et eurent beaucoup d'enfants | ShotOnWhat?

Electrician

Ils se marièrent et eurent beaucoup d'enfants (2004)

Directed by: Yvan Attal

Cinematography by: Rémy Chevrin

Edited by: Jennifer Augé

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Standard Speed Prime Lenses

A Very Long Engagement | ShotOnWhat?

Electrician

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

The Bourne Identity | ShotOnWhat?

Electrician

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

The Truth About Charlie | ShotOnWhat?

Electrician

The Truth About Charlie (2002)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Suzanne Spangler

Amélie | ShotOnWhat?

Electrician

Amélie (2001)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses: Zeiss Ultra Prime Lenses

Belphegor: Phantom of the Louvre | ShotOnWhat?

Electrician

Belphegor: Phantom of the Louvre (2001)

Directed by: Jean-Paul Salomé

Cinematography by: Jean-François Robin

Edited by: Sylvie Landra

Les morsures de l'aube | ShotOnWhat?

Electrician

Les morsures de l'aube (2001)

Directed by: Antoine de Caunes

Cinematography by: Pierre Aïm

Edited by: Joële Van Effenterre

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