Production Secretary
'Person of Interest' If-Then-Else (2015)
Directed by: Chris Fisher
Cinematography by: Gonzalo Amat
Edited by: Mark Conte
Production Secretary
'Person of Interest' Provenance (2014)
Directed by: Jeffrey G. Hunt
Cinematography by: Manuel Billeter
Edited by: Mark Conte
Production Secretary
'Person of Interest' 4C (2014)
Directed by: Stephen Williams
Cinematography by: Dave Insley
Edited by: Ryan Malanaphy
Production Secretary
'Person of Interest' Aletheia (2014)
Directed by: Richard J. Lewis
Cinematography by: Manuel Billeter
Edited by: Scott Powell
Production Assistant
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Production Secretary
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Production Secretary
'Person of Interest' Proteus (2013)
Directed by: Kenneth Fink
Cinematography by: Stephen McNutt
Edited by: Mark Conte
Production Secretary
'Person of Interest' Lethe (2013)
Directed by: Richard J. Lewis
Cinematography by: Manuel Billeter
Edited by: Mark Conte
Production Secretary
'Person of Interest' Mors Praematura (2013)
Directed by: Helen Shaver
Cinematography by: Dave Insley
Edited by: Scott Powell
Production Secretary
'Person of Interest' In Extremis (2013)
Directed by: Chris Fisher
Cinematography by: Manuel Billeter
Edited by: Mark Conte
Production Secretary
'Person of Interest' All In (2013)
Directed by: Tricia Brock
Cinematography by: Manuel Billeter
Edited by: John Ganem
Office Production Assistant: New York
Broken City (2013)
Directed by: Allen Hughes
Cinematography by: Ben Seresin
Edited by: Cindy Mollo
Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Editing System: Avid Editing System
Production Assistant
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Second Unit Production Assistant
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Production Secretary - 9 Episodes, 2013-2015
Person of Interest (2011)
Directed by: Chris Fisher, Richard J. Lewis, Frederick E.O. Toye, Jeffrey G. Hunt, Stephen Surjik, Stephen Williams, Kenneth Fink, Helen Shaver, Charles Beeson, Kevin Bray, Stephen Semel, Jeff T. Thomas, Sylvain White, Alrick Riley, Kate Woods, Colin Bucksey, Milan Cheylov, Steven DePaul, David Semel, Dennis Smith, Alex Zakrzewski, Brad Anderson, Jon Cassar, Félix Enríquez Alcalá, Clark Johnson, Larry Teng, David Von Ancken, James Whitmore Jr., Tricia Brock, John Dahl, Omar Madha, Jonathan Nolan, Jeffrey Lee Gibson, Kevin Hooks, Michael Offer, Margot Lulick, Tim Matheson, Greg Plageman, Maja Vrvilo
Cinematography by: Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski
Edited by: Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Editing System: Avid Editing System
Assistant: Mr. McGrath
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Camera Intern
Happythankyoumoreplease (2010)
Directed by: Josh Radnor
Cinematography by: Seamus Tierney
Edited by: Michael R. Miller
