Visual Effects Supervisor: Perception NYC
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Visual Effects Plate Supervisor: Synthespian Studios
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Visual Effects Supervisor: Kleiser-Walczak
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Senior Visual Effects Supervisor: Kleiser-Walczak
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Visual Effects Supervisor: Synthespian Studios
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Visual Effects Supervisor: Kleiser-Walczak
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Executive Producer: Kleiser-Walczak
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Executive Producer: Kleiser-Walczak
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Senior Visual Effects Supervisor: Kleiser-Walczak
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Senior Visual Effects Supervisor: Kleiser-Walczak
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Creative Advisor: Kleiser-Walczak
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Executive Producer: Kleiser-Walczak
The Rage: Carrie 2 (1999)
Cinematography by: Donald M. Morgan
Edited by: Richard Nord
Digital Effects Producer: Kleiser-Walczak
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Computer Animation Supervisor: Kleiser-Walczak
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Executive Producer: Kleiser-Walczak
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Computer Animation Supervisor: Kleiser-Walczak
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Digital Effects Supervisor: Kleiser-Walczak
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Computer Production Supervisor: Digital Effects Inc.
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Optical Effects: EFX Unlimited, New York
Still of the Night (1982)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Cameras: Panavision Cameras
Layout Artist: Special Visual Effects Unit
Xanadu (1980)
Directed by: Robert Greenwald
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler