Philip Moross

12 Titles

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Come Away | ShotOnWhat?

Executive Music Producer

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

Greenland | ShotOnWhat?

Executive Music Producer: Cutting Edge

Greenland (2020)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera

Hotel Mumbai | ShotOnWhat?

Executive Music Producer

Hotel Mumbai (2018)

Directed by: Anthony Maras

Cinematography by: Nick Remy Matthews

Edited by: Anthony Maras, Peter McNulty

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses

Hacksaw Ridge | ShotOnWhat?

Executive Music Producer

Hacksaw Ridge (2016)

Directed by: Mel Gibson

Cinematography by: Simon Duggan

Edited by: John Gilbert

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

The Loft | ShotOnWhat?

Executive Music Producer

The Loft (2014)

Directed by: Erik Van Looy

Cinematography by: Nicolas Karakatsanis

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Non-Stop | ShotOnWhat?

Executive Music Producer

Non-Stop (2014)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Jim May

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Snitch | ShotOnWhat?

Executive Music Producer

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Looper | ShotOnWhat?

Executive Music Producer

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

End of Watch | ShotOnWhat?

Executive Music Producer

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Lola Versus | ShotOnWhat?

Executive Producer

Lola Versus (2012)

Directed by: Daryl Wein

Cinematography by: Jakob Ihre

Edited by: Suzy Elmiger, Susan Littenberg

Let Me In | ShotOnWhat?

Executive Music Producer

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

School for Seduction | ShotOnWhat?

Executive Producer

School for Seduction (2004)

Directed by: Sue Heel

Cinematography by: Tony Imi

Edited by: Sean Barton, Tim Goodill, David Martin

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