Digital Compositor
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Artist: ILM
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Previs Artist: El Ranchito
A Monster Calls (2016)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Cameras: ARRI ALEXA XT Camera
Digital Compositor
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Digital Compositor: Industrial Light And Magic
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Visual Effects Artist: Double Negative
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Digital Compositor: Double Negative
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Artist: Cubica
Mama (2013)
Directed by: Andy Muschietti
Cinematography by: Antonio Riestra
Edited by: Michele Conroy
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Visual Effects Artist
Mientras duermes (2011)
Directed by: Jaume Balagueró
Cinematography by: Pablo Rosso
Edited by: Guillermo de la Cal
![[Rec] 2 | ShotOnWhat?](/images/1245112-small.jpg "Details for [Rec] 2")
Visual Effects: Cubica
[Rec] 2 (2009)
Cinematography by: Pablo Rosso
Edited by: David Gallart
Cameras: Panasonic Cameras, Sony HDW-750 Camera
Lenses: Canon HJ11ex4.7B 4.7-52 mm f1.9
