Production, Financing, And Distribution Counsel
Dragged Across Concrete (2018)
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Distribution Legal Services
The Evil That Men Do (2015)
Directed by: Ramon Térmens
Cinematography by: Sergi Bartrolí
Edited by: Anna Térmens
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Ultra Prime Lenses
Production Attorney
We Are Your Friends (2015)
Directed by: Max Joseph
Cinematography by: Brett Pawlak
Cameras: Red Epic Dragon Camera
Co-producer
A Woman Called Job (2014)
Directed by: Kurt Burk
Cinematography by: James Mann
Edited by: Ed Marx
Us Production Counsel
Grace of Monaco (2014)
Directed by: Olivier Dahan
Cinematography by: Eric Gautier
Edited by: Olivier Gajan
Distribution Legal Services
Summoned (2013)
Directed by: Peter Sullivan
Cinematography by: Roberto Schein
Edited by: Randy Carter
Cameras: Sony Cameras, Sony PMW-F3 Camera
Production Legal
The Aggression Scale (2012)
Directed by: Steven C. Miller
Cinematography by: Jeff Dolen
Edited by: Steven C. Miller
Production Attorney
Alex Cross (2012)
Directed by: Rob Cohen
Cinematography by: Ricardo Della Rosa
Distribution Legal Services
Christmas Twister (2012)
Directed by: Peter Sullivan
Cinematography by: Roberto Schein
Cameras: Sony PMW-F3 Camera
Legal Services
Rogue River (2012)
Directed by: Jourdan McClure
Cinematography by: Brian Hamm
Edited by: Paul Covington
Distribution Legal
Hysteria (2011)
Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory
Production Attorney
The Caller (2011)
Directed by: Matthew Parkhill
Cinematography by: Alexander Melman
Edited by: Gabriel Coss
Production Legal: Raufi Law And Law Offices Of Elsa Ramo
Texas Killing Fields (2011)
Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo
Cameras: Panavision Genesis Camera
Production Attorney: Law Offices Of Elsa Ramoi
Little Birds (2011)
Directed by: Elgin James
Cinematography by: Reed Morano
Edited by: Suzanne Spangler
Production Attorney: Law Offices Of Elsa Ramo
Like Crazy (2011)
Directed by: Drake Doremus
Cinematography by: John Guleserian
Edited by: Jonathan Alberts
Cameras: Canon EOS-7D Camera
Lenses: Zeiss Ultra Prime Lenses
Financial Legal Services
Jiro Dreams of Sushi (2011)
Directed by: David Gelb
Cinematography by: David Gelb
Edited by: Brandon Driscoll-Luttringer
Cameras: Canon EOS-7D Camera, Red One Camera
Production Attorney
Caged Animal (2010)
Directed by: Ryan Combs
Cinematography by: Mario Signore
Edited by: Tim Ryder
Cameras: Red One Camera
Production Attorney
The Hammer (2010)
Directed by: Oren Kaplan
Cinematography by: David Rom
Edited by: Jacquelyn Karambelas
Production Attorney
Godspeed (2009)
Directed by: Robert Saitzyk
Cinematography by: Michael Hardwick
Edited by: Robert Saitzyk
Production Legal
Lady Magdalene's (2008)
Directed by: J. Neil Schulman
Cinematography by: Scott MacDonald
Edited by: J. Kent Hastings
Associate Producer
The Last Sentinel (2007)
Directed by: Jesse V. Johnson
Cinematography by: Robert Hayes
Edited by: Ken Blackwell
Production Legal
Chasing Ghosts (2005)
Cinematography by: Andrew Huebscher
Edited by: Kyle Dean Jackson
