Dimitri Breidenbach

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Lead Compositor: Weta FX

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Lead Compositor: Weta FX

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Zack Snyder's Justice League | ShotOnWhat?

Digital Compositor: WETA Digital

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Avengers: Infinity War | ShotOnWhat?

Digital Compositor: WETA Digital

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Happy Prince | ShotOnWhat?

Digital Compositor: Nozon

The Happy Prince (2018)

Directed by: Rupert Everett

Cinematography by: John Conroy

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: ARRI / Zeiss Master Anamorphic Lenses

X-Men: Apocalypse | ShotOnWhat?

Digital Compositor: MPC

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Suicide Squad | ShotOnWhat?

Digital Compositor: MPC

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

La belle saison | ShotOnWhat?

Digital Compositor

La belle saison (2015)

Directed by: Catherine Corsini

Cinematography by: Jeanne Lapoirie

Edited by: Frédéric Baillehaiche

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Populaire | ShotOnWhat?

Digital Compositor

Populaire (2012)

Directed by: Régis Roinsard

Cinematography by: Guillaume Schiffman

Edited by: Laure Gardette, Sophie Reine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Cloclo | ShotOnWhat?

Digital Compositor

Cloclo (2012)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

De helaasheid der dingen | ShotOnWhat?

Digital Compositor

De helaasheid der dingen (2009)

Directed by: Felix van Groeningen

Cinematography by: Ruben Impens

Edited by: Nico Leunen

Cameras: Red One Camera

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