Array First Assistant Camera
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Second Assistant Camera: Additional
'Pretty Little Liars' Hold Your Piece (2017)
Directed by: Marta Cunningham
Cinematography by: Craig Fikse
Edited by: Robert Lattanzio
3D Engineer
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Second Assistant Camera: Additional
'Pretty Little Liars' Playtime (2017)
Directed by: Chad Lowe
Cinematography by: Craig Fikse
Edited by: Jill D'Agnenica
Second Assistant Camera: Additional
'Pretty Little Liars' These Boots Were Made for Stalking (2017)
Directed by: Ron Lagomarsino
Cinematography by: Craig Fikse
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Power Play (2017)
Directed by: Roger Kumble
Cinematography by: Craig Fikse
Edited by: Jill D'Agnenica
Second Assistant Camera: Additional
'Pretty Little Liars' In the Eye Abides the Heart (2017)
Directed by: Troian Bellisario
Cinematography by: Craig Fikse
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' The Glove That Rocks the Cradle (2017)
Directed by: Paula Hunziker
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Driving Miss Crazy (2017)
Directed by: Oliver Goldstick
Cinematography by: Larry Reibman
Edited by: Jill D'Agnenica
Second Assistant Camera: Additional
'Pretty Little Liars' Choose or Lose (2017)
Directed by: Norman Buckley
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Farewell, My Lovely (2017)
Directed by: Joseph Dougherty
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Til DeAth Do Us PArt (2017)
Directed by: I. Marlene King
Cinematography by: Larry Reibman
Edited by: Jill D'Agnenica
Second Assistant Camera: Additional
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Second Assistant Camera: Additional
'Pretty Little Liars' The Melody Lingers On (2015)
Directed by: Roger Kumble
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Songs of Innocence (2015)
Directed by: Norman Buckley
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Songs of Experience (2015)
Directed by: Norman Buckley
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Don't Look Now (2015)
Directed by: Arlene Sanford
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' She's No Angel (2015)
Directed by: Michael Grossman
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' No Stone Unturned (2015)
Directed by: Chad Lowe
Cinematography by: Robert LaBonge
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' O Brother, Where Art Thou (2015)
Directed by: Bethany Rooney
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' FrAmed (2015)
Directed by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Last Dance (2015)
Directed by: Janice Cooke
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Game Over, Charles (2015)
Directed by: I. Marlene King
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' Game On, Charles (2015)
Directed by: Chad Lowe
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' I'm a Good Girl, I Am (2015)
Directed by: Oliver Goldstick
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' Welcome to the Dollhouse (2015)
Directed by: Ron Lagomarsino
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Bloody Hell (2015)
Directed by: Arlene Sanford
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' To Plea or Not to Plea (2015)
Directed by: Arthur Anderson
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Out Damned Spot (2015)
Directed by: Nzingha Stewart
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' Pretty Isn't the Point (2015)
Directed by: Melanie Mayron
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Oh What Hard Luck Stories They All Hand Me (2015)
Directed by: Joseph Dougherty
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' Over a Barrel (2015)
Directed by: Michael Grossman
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Second Assistant Camera: Additional
'Pretty Little Liars' The Bin of Sin (2015)
Directed by: Tripp Reed
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Second Assistant Camera: Additional
'Pretty Little Liars' Fresh Meat (2015)
Directed by: Zetna Fuentes
Cinematography by: Larry Reibman
Edited by: Lois Blumenthal
Second Assistant Camera: Additional
'Pretty Little Liars' Through a Glass, Darkly (2015)
Directed by: Chad Lowe
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
3D Rig Technician: Vancouver
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Second Assistant Camera: Additional
'Pretty Little Liars' How the 'A' Stole Christmas (2014)
Directed by: I. Marlene King
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
3D Engineer
Stalingrad (2013)
Directed by: Fedor Bondarchuk
Cinematography by: Maksim Osadchiy-Korytkovskiy
Edited by: Igor Litoninskiy
Cameras: Red Epic Camera
3D Rig Technician: Additional
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
3d Engineer
Step Up Revolution (2012)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Convergence Puller
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
3D Technician
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Key Second Assistant Camera
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Camera Loader
Queen of the Lot (2010)
Directed by: Henry Jaglom
Cinematography by: Hanania Baer
Edited by: Ron Vignone
Second Assistant Camera: Additional - 33 Episodes, 2014-2017
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Second Assistant Camera: "b" Camera
Hamlet 2 (2008)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Second Assistant Camera
An American Carol (2008)
Directed by: David Zucker
Cinematography by: Brian Baugh
Edited by: Vashi Nedomansky
Second Assistant Camera
Domestic Import (2006)
Directed by: Kevin Connor
Cinematography by: Barry M. Wilson
Edited by: Jan Popiden
Camera Operator: California
Bug (2006)
Directed by: William Friedkin
Cinematography by: Michael Grady
Edited by: Darrin Navarro
Second Assistant Camera
The Long Shot (2004)
Directed by: Georg Stanford Brown
Cinematography by: Geza Sinkovics
Edited by: Jennifer Jean Cacavas
Second Assistant Camera: "b" Camera
Girl Fever (2002)
Directed by: Michael Davis
Cinematography by: James Lawrence Spencer
Edited by: Kevin D. Ross
Camera Loader
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
