Visual Effects Supervisor: Framestore
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Lighting Artist: Double Negative
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Lighting Technical Director
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Lead Lighting Artist
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lighting Technical Director: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Supervisor / Compositor / Compositor: Mac Guff - 2 Episodes, 2008
The Color of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Cameras: ARRIFLEX D-21 Camera
Compositor: Mac Guff / Visual Effects Supervisor
'The Color of Magic' Part 2: The Light Fantastic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Compositor / Visual Effects Supervisor
'The Color of Magic' Part 1: The Colour of Magic (2008)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Digital Artist
Unleashed (2005)
Directed by: Louis Leterrier
Cinematography by: Pierre Morel
Edited by: Nicolas Trembasiewicz
Digital Compositor
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras