Leica Lenses | 49 Titles
The Legend of Tarzan (2016)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Starring ~ Margot Robbie,
Alexander Skarsgård,
Ella Purnell
Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark DayCamera Operator | Graham Hall
Cameras | Red Epic Dragon Camera
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Don’t Breathe (2016)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Starring ~ Stephen Lang,
Jane Levy,
Dylan Minnette
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
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Fargo (2014)
Country | USA
Type | Television Series
Running Time | 53 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Billy Bob Thornton,
Martin Freeman,
Allison Tolman
Cameras | ARRI ALEXA Plus Camera
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X-Men: Apocalypse (2016)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Starring ~ James McAvoy,
Michael Fassbender,
Jennifer Lawrence
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses
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Allegiant (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Starring ~ Shailene Woodley,
Theo James,
Jeff Daniels
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses
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The Chef’s Wife (2014)
Country | France
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Starring ~ Karin Viard,
Emmanuelle Devos,
Roschdy Zem
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses
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London Has Fallen (2016)
Country | UK, USA, Bulgaria
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 2.39:1
Starring ~ Gerard Butler,
Aaron Eckhart,
Morgan Freeman
Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin SmithCamera Operator | Stuart Howell
Cameras | Red Epic Dragon Camera
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Snowden (2016)
Country | Germany
Type | Motion Picture
Aspect Ratio | 2.39:1
Starring ~ Shailene Woodley,
Scott Eastwood,
Ben Schnetzer
Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy
Lenses | Leica Summicron-C Series Lenses
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Ray Donovan (2013)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Liev Schreiber,
Paula Malcomson,
Eddie Marsan
Cameras | ARRI ALEXA Camera
Lenses | Leica Summilux-C Series Lenses
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Finding Carter (2015)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Kathryn Prescott,
Cynthia Watros,
Anna Jacoby-Heron
Lenses | Leica Summilux-C Series Lenses
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Horrible Bosses 2 (2014)
Country | USA
Type | Motion Picture
Running Time | 108 Minutes
Starring ~ Jason Bateman,
Jason Sudeikis,
Charlie Day
Directed by | Sean Anders | Cinematography by | Julio Macat | Editing by | Eric Kissack
Cameras | ARRI ALEXA XT Camera
Lenses | Leica Summilux-C Series Lenses
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Annabelle (2014)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 2.39:1
Starring ~ Ward Horton,
Annabelle Wallis,
Alfre Woodard
Directed by | John R. Leonetti | Cinematography by | James Kniest | Editing by | Tom Elkins
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Need for Speed (2014)
Country | USA, UK, France, Philippines
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Starring ~ Aaron Paul,
Dominic Cooper,
Imogen Poots
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
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No Good Deed (2014)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Starring ~ Taraji P. Henson,
Idris Elba,
Leslie Bibb
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
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Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Country | China, USA
Type | Motion Picture
Running Time | 96 Minutes
Starring ~ Donnie Yen,
Michelle Yeoh,
Harry Shum Jr.
Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt
Cameras | Red Epic Dragon Camera
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The Boss (2016)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Starring ~ Melissa McCarthy,
Kristen Bell,
Peter Dinklage
Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert
Cameras | ARRI ALEXA 65 Camera
Lenses | Leica Summilux-C Series Lenses
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The Wedding Ringer (2015)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Starring ~ Kevin Hart,
Josh Gad,
Kaley Cuoco
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
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The Finest Hours (2016)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Starring ~ Chris Pine,
Casey Affleck,
Ben Foster
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leica Summilux-C Series Lenses
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Brooklyn (2015)
Country | UK, Canada, Ireland
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 1.85:1
Starring ~ Saoirse Ronan,
Emory Cohen,
Domhnall Gleeson
Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Camera
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The Revenant (2015)
Country | USA, Hong Kong, Taiwan, Canada
Type | Motion Picture
Running Time | 156 Minutes
Aspect Ratio | 2.39:1
Starring ~ Leonardo DiCaprio,
Tom Hardy,
Will Poulter
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen MirrioneCamera Operator | P. Scott Sakamoto
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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