Color | 3927 Titles
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Charlie’s Angels (1976)
| Cinematography by | Richard M. Rawlings Jr., Richard L. Rawlings, Donald H. Birnkrant, Dennis Dalzell, Archie R. Dalzell | Editing by | Joseph Dervin, Jack Harnish, Leon Carrere, Leonard Malek, John McSweeney Jr., Jim Faris, Dick Wormell, John F. Schreyer, Stanley Frazen, James Baiotto, Arnold Baker, Benjamin A. Weissman, Allan Jacobs, John Woodcock, George W. Brooks, John W. Wheeler
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Admission (2014)
Directed by | Gianluca Balla | Cinematography by | Danny Collinson, Hedda Estensen | Editing by | Jamie Robinson
Cameras | Canon EOS-7D Camera
Recien cazado (2009)
Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
World Without End (2012)
| Cinematography by | Denis Crossan | Editing by | István Király, Susan Maggi
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Blind (2014)
Directed by | Eskil Vogt | Cinematography by | Thimios Bakatakis | Editing by | Jens Christian Fodstad
Survivors (2008)
| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman
Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses | ARRI Lenses
R.I.S. Police scientifique (2006)
| Cinematography by | Dominique Brenguier, Philippe Lenouvel, Bernard Cassan, Laurent Dhainaut, José Gérel, Bernard Malaisy, Pascal Gennesseaux | Editing by | Emmanuel Douce, Bob Rayers, Ludivine Saes, Fabrice Dautcourt, Patrick Zouzout, Dominique B. Martin, Sophie Fourdrinoy, Yann Hervé, Jean de Garrigues, Virginie Parrot, Sophie Cornu, Aurélien Dupont, Lao Fu, Bénédicte Gellé, Valérie Longeville, Marion Monnier, Valéry-Anne Sarcy, Karine Olivier, Pascal Jauffrès, Renaud Ziegler
Animal Practice (2012)
| Cinematography by | Anghel Decca, Giovani Lampassi | Editing by | Ruthie Aslan, Jeff Hall, Peter B. Ellis
L’Oranais (2014)
La liste de mes envies (2014)
Directed by | Didier Le Pêcheur | Cinematography by | Myriam Vinocour | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA Plus Camera
Supercondriaque (2014)
Directed by | Dany Boon | Cinematography by | Romain Winding | Editing by | Monica Coleman
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Je fais le mort (2013)
Boule & Bill (2013)
Directed by | Alexandre Charlot, Franck Magnier | Cinematography by | Axel Cosnefroy | Editing by | Samuel Danési, Cyril Nakache
Lenses | Angenieux Optimo Zoom Lenses
Le ciel du centaure (2015)
Directed by | Hugo Santiago | Cinematography by | Gustavo Biazzi | Editing by | Alejo Moguillansky
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
La mante religieuse (2012)
Directed by | Natalie Saracco | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Nathalie Langlade
L’écume des jours (2013)
Directed by | Michel Gondry | Cinematography by | Christophe Beaucarne | Editing by | Marie-Charlotte Moreau
Cameras | Red Epic Camera
The Price of Desire (2015)
Directed by | Mary McGuckian | Cinematography by | Stefan von Bjorn | Editing by | John O'Connor, Robert O'Connor, Kant Pan
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses























































