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TSF, Belgium | 12 Titles

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Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Maestro (2014)

Motion Picture | 2D | Color | 2.39:1 | 81 Minutes

Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie

Starring | Pio Marmaï, Michael Lonsdale, Déborah François, Alice Belaïdi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses

L’homme qu’on aimait trop (2014)

Motion Picture | 2D | Color | 116 Minutes

Directed by | André Téchiné | Cinematography by | Julien Hirsch | Editing by | Hervé de Luze

Starring | Guillaume Canet, Catherine Deneuve, Adèle Haenel, Judith Chemla

Cameras | ARRI ALEXA Camera

Vie sauvage (2014)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet

Starring | Mathieu Kassovitz, Céline Sallette, David Gastou, Sofiane Neveu

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Cloclo (2012)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan

Starring | Jérémie Renier, Benoît Magimel, Monica Scattini, Sabrina Seyvecou

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

100% cachemire (2013)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont

Starring | Valérie Lemercier, Gilles Lellouche, Samatin Pendev, Marina Foïs

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Astérix and Obélix: God Save Britannia (2012)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine

Starring | Gérard Depardieu, Dany Boon, Edouard Baer, Guillaume Gallienne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Populaire (2012)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine

Starring | Romain Duris, Féodor Atkine, Déborah François, Bérénice Bejo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

When Pigs Have Wings (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Sylvain Estibal | Cinematography by | Romain Winding | Editing by | Damien Keyeux

Starring | Sasson Gabai, Baya Belal, Myriam Tekaïa, Gassan Abbas

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Le fils à Jo (2011)

Motion Picture | 2D | 97 Minutes

Le fils à Jo | ShotOnWhat?

Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin | Editing by | Elodie Codaccioni, Sandro Lavezzi

Starring | Gérard Lanvin, Olivier Marchal, Vincent Moscato, Jérémie Duvall

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

La source des femmes (2011)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Radu Mihaileanu | Cinematography by | Glynn Speeckaert

Starring | Leïla Bekhti, Hafsia Herzi, Hiam Abbass, Saleh Bakri

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses, Schneider Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

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