Acquisition » Celluloid

Celluloid  |  3105 Titles

Celluloid 3.60/5 10 Votes

The Perez Family   (1995)

  |    |  Color  |    |  113 Minutes
Directed by | Mira Nair | Cinematography by | Stuart Dryburgh | Editing by | Robert Estrin, Greg Finton

The Cold Room   (1984)

  |    |  Color  |  95 Minutes
Directed by | James Dearden | Cinematography by | Tony Pierce-Roberts | Editing by | Mick Audsley
Cameras |

Meet the Parents   (2000)

  |    |    |    |  108 Minutes

Tooth Fairy 2   (2012)

  |    |  Color  |  90 Minutes
Directed by | Alex Zamm | Cinematography by | Levie Isaacks | Editing by | Heath Ryan
Cameras |

Blackout   (1985)

,   |    |  Color  |  ,   |  100 Minutes
Directed by | Douglas Hickox | Cinematography by | Tak Fujimoto | Editing by | Michael Brown
Cameras |

High Road to China   (1983)

  |    |    |    |  105 Minutes
Directed by | Brian G. Hutton | Cinematography by | Ronnie Taylor | Editing by | John Jympson

The Money Pit   (1986)

  |    |  Color  |    |  91 Minutes
Directed by | Richard Benjamin | Cinematography by | Gordon Willis | Editing by | Jacqueline Cambas
Cameras |

Days and Clouds   (2007)

  |    |  Color  |    |  118 Minutes

Inside Moves   (1980)

  |    |  Color  |    |  113 Minutes
Directed by | Richard Donner | Cinematography by | László Kovács | Editing by | Frank Morriss
Cameras |

Forces of Nature   (1999)

  |    |  Color  |    |  105 Minutes
Directed by | Bronwen Hughes | Cinematography by | Elliot Davis, David Stockton | Editing by | Craig Wood
Cameras |

The Watcher in the Woods   (1980)

  |    |  Color  |    |  84 Minutes
Directed by | John Hough, Vincent McEveety | Cinematography by | Alan Hume | Editing by | Geoffrey Foot
Cameras |

The Guys   (2002)

  |    |  Black and White, Color  |    |  84 Minutes
Directed by | Jim Simpson | Cinematography by | Maryse Alberti | Editing by | Sarah Flack

Something Wicked This Way Comes   (1983)

  |    |  Color  |    |  95 Minutes
Directed by | Jack Clayton | Cinematography by | Stephen H. Burum | Editing by | Barry Mark Gordon, Argyle Nelson Jr.
Cameras |

Formula 51   (2001)

  |    |  Color  |    |  93 Minutes
Directed by | Ronny Yu | Cinematography by | Hang-Sang Poon | Editing by | David Wu
Cameras |

Killjoy   (1981)

  |    |  Color  |    |  96 Minutes
Directed by | John Llewellyn Moxey | Cinematography by | Robert B. Hauser | Editing by | Dennis C. Duckwall
Cameras |

Max Keeble’s Big Move   (2001)

  |    |  Color  |    |  86 Minutes
Directed by | Tim Hill | Cinematography by | Arthur Albert | Editing by | Tony Lombardo, Peck Prior

Dracula   (1992)

  |    |  Color  |    |  128 Minutes

Paradise Alley   (1978)

  |    |  Color  |    |  107 Minutes
Directed by | Sylvester Stallone | Cinematography by | László Kovács | Editing by | Eve Newman
Cameras |

The Life and Times of Judge Roy Bean   (1972)

  |    |  Color  |    |  120 Minutes
Directed by | John Huston | Cinematography by | Richard Moore | Editing by | Hugh S. Fowler
Cameras |

Victory   (1981)

  |    |  Color  |    |  116 Minutes
Directed by | John Huston | Cinematography by | Gerry Fisher | Editing by | Roberto Silvi
Cameras |