Year Released ~ 2014 | 2508 Titles

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Fishing Without Nets (2014)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere

Starring | Abdiwali Farrah, Eric Godon, Abdikhadir Hassan, Idil Ibrahim

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses

Cold in July (2014)

Motion Picture | 2D | Color | 109 Minutes

Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle

Starring | Michael C. Hall, Sam Shepard, Don Johnson, Vinessa Shaw

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Infinitely Polar Bear (2014)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller

Starring | Mark Ruffalo, Zoe Saldaña, Imogene Wolodarsky, Ashley Aufderheide

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Style Lenses

Les yeux jaunes des crocodiles (2014)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao

Starring | Julie Depardieu, Emmanuelle Béart, Patrick Bruel, Alice Isaaz

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

L’homme qu’on aimait trop (2014)

Motion Picture | 2D | Color | 116 Minutes

Directed by | André Téchiné | Cinematography by | Julien Hirsch | Editing by | Hervé de Luze

Starring | Guillaume Canet, Catherine Deneuve, Adèle Haenel, Judith Chemla

Cameras | ARRI ALEXA Camera

Glen Campbell: I’ll Be Me (2014)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 116 Minutes

Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonora

Starring | Glen Campbell, Kim Campbell, Ronald Petersen, Dave Kaplan

Beyond the Lights (2014)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire

Starring | Gugu Mbatha-Raw, Nate Parker, Minnie Driver, Danny Glover

Cameras | ARRI ALEXA M Camera

A Single Life (2014)

Short Film | 2D | Color | 3 Minutes

Directed by | Marieke Blaauw, Joris Oprins, Job Roggeveen

White Earth (2014)

Documentary | 2D | Color | 20 Minutes

Directed by | Christian Jensen | Cinematography by | Christian Jensen | Editing by | Christian Jensen

Me and My Moulton (2014)

Short Film | 2D | Color | 14 Minutes

Directed by | Torill Kove | Editing by | Alison Burns

Last Days in Vietnam (2014)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Rory Kennedy | Cinematography by | Joan Churchill | Editing by | Don Kleszy

Starring | Richard Nixon, Henry Kissinger, Stuart Herrington, Juan Valdez

The Dam Keeper (2014)

Short Film | 2D | Color | 18 Minutes

Directed by | Robert Kondo, Daisuke 'Dice' Tsutsumi | Editing by | Bradley Furnish

Starring | Lars Mikkelsen, Courtney Lockwood

Boogaloo and Graham (2014)

Short Film | 2D | Color | 14 Minutes

Directed by | Michael Lennox | Cinematography by | Mark Garrett | Editing by | Lívia Serpa

Starring | Martin McCann, Charlene McKenna, Riley Hamilton, Aaron Lynch

The Bigger Picture (2014)

Short Film | 2D | Color | 8 Minutes

Directed by | Daisy Jacobs | Cinematography by | Max Williams | Editing by | Vera Simmonds

Starring | Anne Cunningham, Christopher Nightingale, Alisdair Simpson

Relatos salvajes (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Damián Szifron | Cinematography by | Javier Julia | Editing by | Pablo Barbieri Carrera, Damián Szifron

Starring | Darío Grandinetti, María Marull, Mónica Villa, Diego Starosta

Leviathan (2014)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass

Starring | Aleksey Serebryakov, Elena Lyadova, Roman Madyanov, Vladimir Vdovichenkov

Cameras | ARRIFLEX Camera

Lenses | Zeiss Master Prime Lenses

L’ex de ma vie (2014)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | Dorothée Sebbagh | Cinematography by | Gilles Porte | Editing by | Laurent Rouan

Starring | Géraldine Nakache, Kim Rossi Stuart, Pascal Demolon, Sophie Cattani

Cameras | Red Epic Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Panavision G Series Anamorphic Lenses

La ritournelle (2014)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette

Starring | Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Pio Marmaï

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Deux jours, une nuit (2014)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Marion Cotillard, Fabrizio Rongione, Catherine Salée, Baptiste Sornin

Cameras | ARRI ALEXA M Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Standard Speed Prime Lenses

Kingsman: The Secret Service (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris

Starring | Colin Firth, Taron Egerton, Samuel L. Jackson, Michael Caine

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

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