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Mono  |  484 Titles

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Straight Time   (1978)

  |    |    |    |  114 Minutes
Straight Time | ShotOnWhat?
Directed by | Ulu Grosbard, Dustin Hoffman | Cinematography by | Owen Roizman | Editing by | Sam O'Steen, Randy Roberts
Starring | Dustin Hoffman, Theresa Russell, Gary Busey, Harry Dean Stanton
Cameras |

The Strange Case of Señor Computer   (2000)

  |    |  Black and White  |    |  91 Minutes
The Strange Case of Señor Computer | ShotOnWhat?
Cinematography by | Marco Cappetta, Tom SawyerEditing by | Tom Sawyer
Starring | Rick Ziegler, Tom Sawyer, Spencer Koerner, Will Lewis
Cameras |

When a Stranger Calls   (1979)

  |    |  Color  |    |  97 Minutes
When a Stranger Calls | ShotOnWhat?
Directed by | Fred Walton | Cinematography by | Donald Peterman | Editing by | Sam Vitale
Starring | Carol Kane, Charles Durning, Rutanya Alda, Carmen Argenziano
Cameras |

Brubaker   (1980)

  |    |    |    |  131 Minutes
Brubaker | ShotOnWhat?
Directed by | Stuart Rosenberg | Cinematography by | Bruno Nuytten | Editing by | Robert Brown
Starring | Robert Redford, Yaphet Kotto, Morgan Freeman, Jane Alexander
Cameras |

Beyond the Rising Moon   (1987)

  |    |  Color  |  84 Minutes
Beyond the Rising Moon | ShotOnWhat?
Directed by | Philip J. Cook | Cinematography by | Philip J. Cook | Editing by | Philip J. Cook
Starring | Tracy Davis, Hans Bachmann, Michael Mack, Ron Ikejiri
Cameras | ,

Dead Men Don’t Wear Plaid   (1982)

  |    |  Black and White  |    |  88 Minutes
Dead Men Don’t Wear Plaid | ShotOnWhat?
Directed by | Carl Reiner | Cinematography by | Michael Chapman | Editing by | Bud Molin
Starring | Steve Martin, Rachel Ward, Alan Ladd, Carl Reiner
Cameras |

Anatomy of an Illness   (1984)

  |    |  Color  |    |  96 Minutes
Anatomy of an Illness | ShotOnWhat?
Directed by | Richard T. Heffron | Cinematography by | Stevan Larner | Editing by | Scott C. Eyler
Starring | Edward Asner, Eli Wallach, Millie Perkins, David Ogden Stiers
Cameras |

Future-Kill   (1985)

  |    |  Color  |  89 Minutes
Future-Kill | ShotOnWhat?
Directed by | Ronald W. Moore | Cinematography by | Jon H. Lewis | Editing by | Leon Seith, Charles Simmons
Starring | Edwin Neal, Marilyn Burns, Gabriel Folse, Wade Reese
Cameras |

Cruising   (1980)

  |    |    |    |    |  102 Minutes
Cruising | ShotOnWhat?
Directed by | William Friedkin | Cinematography by | James A. Contner | Editing by | Bud S. Smith, M. Scott Smith
Starring | Al Pacino, Paul Sorvino, Karen Allen, Richard Cox
Cameras |
Lenses |

Best Defense   (1984)

  |    |  Color  |    |  94 Minutes
Best Defense | ShotOnWhat?
Directed by | Willard Huyck | Cinematography by | Donald Peterman | Editing by | Sidney Wolinsky
Starring | Dudley Moore, Eddie Murphy, Kate Capshaw, George Dzundza
Cameras |

Raggedy Man   (1981)

  |    |  Color  |    |  94 Minutes
Raggedy Man | ShotOnWhat?
Directed by | Jack Fisk | Cinematography by | Ralf D. Bode | Editing by | Edward Warschilka
Starring | Sissy Spacek, Eric Roberts, Sam Shepard, William Sanderson
Cameras |

Women of Valor   (1986)

  |    |  Black and White, Black and White, Color  |    |  100 Minutes
Women of Valor | ShotOnWhat?
Directed by | Buzz Kulik | Cinematography by | Mike Fash | Editing by | Les Green
Starring | Susan Sarandon, Kristy McNichol, Alberta Watson, Valerie Mahaffey
Cameras |

A Piece of the Action   (1977)

  |    |  Color  |    |  135 Minutes
A Piece of the Action | ShotOnWhat?
Directed by | Sidney Poitier | Cinematography by | Donald M. Morgan | Editing by | Pembroke J. Herring
Starring | Sidney Poitier, Bill Cosby, James Earl Jones, Denise Nicholas
Cameras |

A Perfect Couple   (1979)

  |    |  Color  |    |  110 Minutes
A Perfect Couple | ShotOnWhat?
Directed by | Robert Altman | Cinematography by | Edmond L. Koons | Editing by | Tony Lombardo
Starring | Paul Dooley, Marta Heflin, Titos Vandis, Belita Moreno
Cameras |

Federal Hill   (1994)

  |    |  Black and White  |    |  97 Minutes
Federal Hill | ShotOnWhat?
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Starring | Nicholas Turturro, Anthony DeSando, Libby Langdon, Michael Raynor
Cameras |
Lenses |

Being There   (1979)

  |    |  Color  |    |  130 Minutes
Being There | ShotOnWhat?
Directed by | Hal Ashby | Cinematography by | Caleb Deschanel | Editing by | Don Zimmerman
Starring | Peter Sellers, Shirley MacLaine, Melvyn Douglas, Jack Warden
Cameras |

It’s Alive   (1974)

  |    |  Color  |    |  91 Minutes
It’s Alive | ShotOnWhat?
Directed by | Larry Cohen | Cinematography by | Fenton Hamilton | Editing by | Peter Honess
Starring | John P. Ryan, Sharon Farrell, Andrew Duggan, Guy Stockwell
Cameras |

The French Lieutenant’s Woman   (1981)

  |    |  Color  |    |  124 Minutes
  • The French Lieutenant’s Woman Behind the Scenes Photos & Tech Specs
The French Lieutenant’s Woman | ShotOnWhat?
Directed by | Karel Reisz | Cinematography by | Freddie Francis | Editing by | John Bloom
Starring | Meryl Streep, Jeremy Irons, Hilton McRae, Emily Morgan
Cameras |

The Chase   (1966)

  |    |  Color  |    |  134 Minutes
The Chase | ShotOnWhat?
Directed by | Arthur Penn | Cinematography by | Joseph LaShelle | Editing by | Gene Milford
Starring | Marlon Brando, Jane Fonda, Robert Redford, E.G. Marshall
Cameras |

A Real American Hero   (1978)

  |    |  Color  |    |  90 Minutes
A Real American Hero | ShotOnWhat?
Directed by | Lou Antonio | Cinematography by | Charles Correll | Editing by | Houseley Stevenson Jr.
Starring | Brian Dennehy, Forrest Tucker, Brian Kerwin, Ken Howard
Cameras |

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