Mono  |  484 Titles

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Strange Masquerade   (1976)

  |    |  Color  |  89 Minutes
Directed by | Pál Sándor | Cinematography by | Elemér Ragályi | Editing by | Éva Kármentõ
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The Devil, Probably   (1977)

  |    |  Color  |  ,   |  95 Minutes

A Winner Never Quits   (1986)

  |    |  Color  |    |  105 Minutes
Directed by | Mel Damski | Cinematography by | Joseph F. Biroc | Editing by | Michael A. Stevenson
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The Girl in the Red Velvet Swing   (1955)

  |    |  Color  |    |  109 Minutes
Directed by | Richard Fleischer | Cinematography by | Milton R. Krasner | Editing by | William Mace

The Osterman Weekend   (1983)

  |    |  Color  |    |  103 Minutes
Directed by | Sam Peckinpah | Cinematography by | John Coquillon | Editing by | Edward M. Abroms, David Rawlins
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The Purple Taxi   (1977)

  |    |  Color  |  107 Minutes
Directed by | Yves Boisset | Cinematography by | Tonino Delli Colli | Editing by | Albert Jurgenson

Louisiana Story   (1948)

  |    |  Black and White  |    |  78 Minutes
Directed by | Robert J. Flaherty | Cinematography by | Richard Leacock | Editing by | Helen van Dongen
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Inside the Third Reich   (1982)

  |    |  Black and White, Color  |    |  240 Minutes

Sweet Bird of Youth   (1962)

  |    |  Color  |    |  120 Minutes
Directed by | Richard Brooks | Cinematography by | Milton R. Krasner | Editing by | Henry Berman

Capricorn One   (1977)

  |    |  Color  |  ,   |  123 Minutes
Directed by | Peter Hyams | Cinematography by | Bill Butler | Editing by | James Mitchell
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The Day After   (1983)

  |    |  Color  |  , ,   |  127 Minutes

Magic   (1978)

  |    |  Color  |    |  107 Minutes
Directed by | Richard Attenborough | Cinematography by | Victor J. Kemper | Editing by | John Bloom
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Class   (1983)

  |    |  Color  |    |  98 Minutes

The Big Sleep   (1978)

  |    |  Color  |    |  99 Minutes
Directed by | Michael Winner | Cinematography by | Robert Paynter
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The Capture of Bigfoot   (1979)

  |    |  Color  |    |  92 Minutes

Everybody’s Baby: The Rescue of Jessica McClure   (1989)

  |    |  Color  |    |  100 Minutes
Directed by | Mel Damski | Cinematography by | Shelly Johnson | Editing by | Ron Binkowski
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Guilty Conscience   (1985)

  |    |  Color  |    |  104 Minutes
Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Parkie L. Singh
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Basic Training   (1985)

  |    |  Color  |    |  88 Minutes
Directed by | Andrew Sugerman | Cinematography by | Stephen W. Gray | Editing by | Larry Bock
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Dial M for Murder   (1954)

  |    |  Color  |    |  105 Minutes
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Rudi Fehr

The Eagle Has Landed   (1976)

  |    |  Black and White, Color  |  ,   |  123 Minutes
Directed by | John Sturges | Cinematography by | Anthony B. Richmond | Editing by | Anne V. Coates
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