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Americas | 1901 Titles

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The Boss (2016)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert

Starring | Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson

Cameras | ARRI ALEXA 65 Camera

Lenses | Leitz Summilux-C Series Lenses

The Huntsman: Winter’s War (2016)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV

Starring | Chris Hemsworth, Jessica Chastain, Charlize Theron, Emily Blunt

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

My Big Fat Greek Wedding 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Kirk Jones | Cinematography by | Jim Denault | Editing by | Mark Czyzewski

Starring | Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan

Cameras | Red Epic Dragon Camera

X-Men: Apocalypse (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 144 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult

Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses

The Jungle Book (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi

Starring | Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba

Cameras | ARRI ALEXA XT M Camera

Lenses | Panavision Primo Primes Spherical Lenses

God’s Not Dead 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Harold Cronk | Cinematography by | Brian Shanley | Editing by | Vance Null, Wynton Payne

Starring | Melissa Joan Hart, Jesse Metcalfe, David A.R. White, Hayley Orrantia

Cameras | ARRI ALEXA Camera, Red Epic Camera

Everybody Wants Some!! (2016)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Richard Linklater | Cinematography by | Shane F. Kelly | Editing by | Sandra Adair

Starring | Blake Jenner, Tyler Hoechlin, Ryan Guzman, Zoey Deutch

Cameras | ARRI ALEXA Camera

Dope (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen

Starring | Shameik Moore, Tony Revolori, Kiersey Clemons, Kimberly Elise

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Father and the Bear (2016)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Wil Love, David DeLuise, Dendrie Taylor, Charity Farrell

Cameras | Blackmagic Pocket Cinema Camera, Canon EOS-C300 Camera

Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses

Route 30 Three! (2014)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | David Cowgill, Nathalie Boltt, Dan Poole, Molly Lahr

Cameras | Sony PMW-F3 Camera

11.22.63 (2016)

Miniseries | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Adam Suschitzky, David Katznelson | Editing by | Sue Blainey, Michael R. Fox, Plummy Tucker, Dorian Harris

Starring | James Franco, Sarah Gadon, George MacKay, Chris Cooper

Cameras | Red Epic Dragon Camera

Fuller House (2016)

Television Series | 2D | Color | 30 Minutes

| Cinematography by | Gregg Heschong | Editing by | Richard Candib, Jim Miley

Starring | Candace Cameron Bure, Jodie Sweetin, Andrea Barber, Michael Campion

Regret to Inform (1998)

Documentary | 2D | Black & White, Color | 72 Minutes

Directed by | Barbara Sonneborn | Cinematography by | Emiko Omori, Daniel Reeves, Nancy Schiesari | Editing by | Lucy Massie Phenix, Ken Schneider

Starring | Xuan Ngoc Nguyen, Barbara Sonneborn

Quest for Camelot (1998)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Frederik Du Chau | Editing by | Stanford C. Allen

Starring | Jessalyn Gilsig, Cary Elwes, Andrea Corr, Bryan White

Mighty Joe Young (1998)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Ron Underwood | Cinematography by | Donald Peterman, Oliver Wood | Editing by | Paul Hirsch

Starring | Bill Paxton, Charlize Theron, Rade Serbedzija, Peter Firth

10 Cloverfield Lane (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Dan Trachtenberg | Cinematography by | Jeff Cutter | Editing by | Stefan Grube

Starring | John Goodman, Mary Elizabeth Winstead, John Gallagher Jr., Douglas M. Griffin

Cameras | Red Epic Dragon Camera

The Farm: Angola, USA (1998)

Documentary | 2D | Color | 88 Minutes

Directed by | Liz Garbus, Wilbert Rideau, Jonathan Stack | Cinematography by | Sam Henriques, Bob Perrin | Editing by | Mona Davis, Mary Manhardt

Starring | Bernard Addison, Burl Cain, George Crawford, Wilbert Rideau

The Program (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 99 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli

Starring | Ben Foster, Chris O'Dowd, Guillaume Canet, Jesse Plemons

Cameras | Red Epic Camera

Midnight Special (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe

Starring | Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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