Visual Effects Sequence Lead: Mavericks VFX
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Digital Compositor: Switch VFX
Blonde (2022)
Directed by: Andrew Dominik
Cinematography by: Chayse Irvin
Edited by: Adam Robinson
Compositor: Cinesite
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Paint & Rotoscoping Artist: Cinesite
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Paint And Roto Artist: Cinesite
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Visual Effects Artist
'Sleepy Hollow' Blood from a Stone (2017)
Directed by: Marc Roskin
Cinematography by: Niels Alpert
Edited by: Michael Stern
Visual Effects Artist
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Visual Effects Artist - 1 Episode, 2017
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
