Sound Effects Editor
'Law & Order: Special Victims Unit' Hunt, Trap, Rape, and Release (2021)
Directed by: Batan Silva
Sound Effects Editor
'Law & Order: Special Victims Unit' The Only Way Out Is Through (2021)
Directed by: Martha Mitchell
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Return of the Prodigal Son (2021)
Directed by: Juan José Campanella
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' Welcome to the Pedo Motel (2021)
Directed by: Jean de Segonzac
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' In the Year We All Fell Down (2021)
Directed by: Jean de Segonzac
Sound Effects Editor
'Law & Order: Special Victims Unit' Our Words Will Not Be Heard (2021)
Directed by: Batan Silva
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Sightless in a Savage Land (2021)
Directed by: Norberto Barba
Sound Effects Editor
'Law & Order: Special Victims Unit' Turn Me on Take Me Private (2021)
Directed by: Juan José Campanella
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' The Long Arm of the Witness (2021)
Directed by: Martha Mitchell
Cinematography by: Michael Green
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Solving for the Unknowns (2020)
Directed by: Christopher Misiano
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Garland's Baptism by Fire (2020)
Directed by: Norberto Barba
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' The Things We Have to Lose (2020)
Directed by: Juan José Campanella
Sound Effects Editor
'Law & Order: Special Victims Unit' Guardians and Gladiators (2020)
Directed by: Norberto Barba
Sound Effects Editor
'Law & Order: Special Victims Unit' Ballad of Dwight and Irena (2020)
Directed by: Martha Mitchell
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Remember Me in Quarantine (2020)
Directed by: Juan José Campanella
Edited by: Oscar Rene Lozoya II
Foley Editor
'Helstrom' Mother's Little Helpers (2020)
Directed by: Daina Reid
Cinematography by: Bernard Couture
Edited by: Hunter M. Via
Foley Editor
'Helstrom' Viaticum (2020)
Directed by: Anders Engström
Cinematography by: Bernard Couture
Edited by: Kelly Stuyvesant
Foley Editor
'Helstrom' The One Who Got Away (2020)
Directed by: Michael Offer
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Foley Editor
'Helstrom' Containment (2020)
Directed by: Amanda Row
Cinematography by: Bernard Couture
Foley Editor
'Helstrom' Committed (2020)
Directed by: Jovanka Vuckovic
Cinematography by: Christopher Charles Kempinski
Edited by: Kelly Stuyvesant
Foley Editor
'Helstrom' Leviathan (2020)
Directed by: Sanford Bookstaver
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Foley Editor
'Helstrom' Scars (2020)
Directed by: Bill Roe
Cinematography by: Christopher Charles Kempinski
Edited by: Hunter M. Via
Foley Editor
'Helstrom' Underneath (2020)
Directed by: Cherie Nowlan
Cinematography by: Bernard Couture
Edited by: Kelly Stuyvesant
Foley Editor
'Helstrom' Vessels (2020)
Directed by: Kevin Tancharoen
Cinematography by: Christopher Charles Kempinski
Edited by: Brian G. Addie
Foley Editor
'Helstrom' Hell Storm (2020)
Directed by: Jim O'Hanlon
Cinematography by: Bernard Couture
Sound Effects Editor
'Law & Order: Special Victims Unit' Dance, Lies and Videotape (2020)
Directed by: Leslie Hope
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' Eternal Relief from Pain (2020)
Directed by: Jean de Segonzac
Edited by: Leon Ortiz-Gil
Sound Effects Editor
'Law & Order: Special Victims Unit' Swimming with the Sharks (2020)
Directed by: Martha Mitchell
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' I Deserve Some Loving Too (2020)
Directed by: Jean de Segonzac
Edited by: Leon Ortiz-Gil
Sound Effects Editor
'Law & Order: Special Victims Unit' Redemption in Her Corner (2020)
Directed by: Batan Silva
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' The Longest Night of Rain (2020)
Directed by: Michael Smith
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' She Paints for Vengeance (2020)
Directed by: Mariska Hargitay
Sound Effects Editor
'Law & Order: Special Victims Unit' Must Be Held Accountable (2020)
Directed by: Laurie Collyer
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Blackout (2019)
Directed by: Christopher Misiano
Sound Effects Editor
'Law & Order: Special Victims Unit' Dearly Beloved (2019)
Directed by: Lucy Liu
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Missing (2019)
Directed by: Constantine Makris
Cinematography by: Michael Green
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' Exchange (2019)
Directed by: Michael Pressman
Sound Effects Editor
'Law & Order: Special Victims Unit' The Good Girl (2019)
Directed by: Jean de Segonzac
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' Diss (2019)
Directed by: Alex Chapple
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Assumptions (2019)
Directed by: Fred Berner
Cinematography by: Michael Green
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' I'm Going To Make You a Star (2019)
Directed by: Norberto Barba
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
Sound Effects Editor
'Law & Order: Special Victims Unit' The Darkest Journey Home (2019)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' The Burden of Our Choices (2019)
Directed by: Martha Mitchell
Edited by: Leon Ortiz-Gil
Sound Effects Editor
'Law & Order: Special Victims Unit' Down Low in Hell's Kitchen (2019)
Directed by: Timothy Busfield
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' At Midnight in Manhattan (2019)
Directed by: Peter Werner
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Murdered at a Bad Address (2019)
Directed by: Michael Smith
Edited by: Oscar Rene Lozoya II
Sound Effects Editor
'Law & Order: Special Victims Unit' We Dream of Machine Elves (2019)
Directed by: Jonathan Herron
Edited by: Karen I. Stern
Sound Effects Editor
'Law & Order: Special Victims Unit' Counselor, It's Chinatown (2019)
Directed by: Leslie Hope
Edited by: Leon Ortiz-Gil
Foley Editor
'Suits' Cairo (2019)
Directed by: Anton Cropper
Cinematography by: William Klayer
Edited by: Dan Rovetto
Foley Editor
'Suits' Rocky 8 (2019)
Directed by: Roger Kumble
Cinematography by: William Klayer
Edited by: Sandra McCallig
Foley Editor
'Suits' Whale Hunt (2019)
Directed by: Valerie Weiss
Cinematography by: William Klayer
Edited by: Daniel Martens
Foley Editor
'Suits' The Greater Good (2019)
Directed by: Darren Grant
Cinematography by: William Klayer
Edited by: Sandra McCallig
Foley Editor
'Suits' Stalking Horse (2019)
Directed by: Chloe Domont
Cinematography by: William Klayer
Edited by: Daniel Martens
Foley Editor
'Suits' Harvey (2019)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Edited by: Brock Hammitt
Foley Editor
'Suits' Everything's Changed (2019)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Edited by: Dan Rovetto
Foley Editor
'Suits' Special Master (2019)
Directed by: Michael Smith
Cinematography by: William Klayer
Edited by: Sandra McCallig
Foley Editor
'Suits' Windmills (2019)
Directed by: Gabriel Macht
Cinematography by: William Klayer
Edited by: Brock Hammitt
Foley Editor
'Suits' If the Shoe Fits (2019)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Edited by: Sandra McCallig
Foley Editor
'Suits' Tiny Violin (2018)
Directed by: Christopher Misiano
Cinematography by: Colin Hoult
Edited by: Brock Hammitt
Foley Editor
'Suits' Good-Bye (2018)
Directed by: Anton Cropper
Cinematography by: William Klayer
Edited by: Dan Rovetto
Foley Editor
'Suits' Hard Truths (2018)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Edited by: Brock Hammitt
Foley Editor
'Suits' Pulling the Goalie (2018)
Directed by: Emile B. Levisetti
Cinematography by: William Klayer
Edited by: Sandra McCallig
Foley Editor
'Suits' Inevitable (2018)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Foley Editor
'Suits' Bad Man (2018)
Directed by: Roger Kumble
Cinematography by: William Klayer
Edited by: Dan Rovetto
Foley Editor
'Suits' Cats, Ballet, Harvey Specter (2018)
Directed by: Emile B. Levisetti
Cinematography by: William Klayer
Edited by: Sarah E. Williams
Foley Editor
'Suits' Sour Grapes (2018)
Directed by: Gabriel Macht
Cinematography by: William Klayer
Edited by: Daniel Martens
Foley Editor
'Suits' Coral Gables (2018)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Edited by: Dan Rovetto
Foley Editor
'Suits' Motion to Delay (2018)
Directed by: Christopher Misiano
Cinematography by: William Klayer
Foley Editor
'Suits' Managing Partner (2018)
Directed by: Silver Tree
Cinematography by: William Klayer
Edited by: Dan Rovetto
Co-foley Editor
Get Out (2017)
Directed by: Jordan Peele
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Zoom Lenses
Sound Effects Editor
Rock, Paper, Scissors (2017)
Directed by: Tom Holland
Cinematography by: Yash Bhatt
Edited by: Ed Marx
Co-foley Editor
Southside with You (2016)
Directed by: Richard Tanne
Cinematography by: Patrick Scola
Edited by: Evan Schiff
Foley Editor
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Foley Editor
Moonlight (2016)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
Foley Editor - 26 Episodes, 2018-2019
Suits (2011)
Directed by: Michael Smith, Anton Cropper, Christopher Misiano, Kevin Bray, Roger Kumble, Silver Tree, John Scott, Cherie Nowlan, Gabriel Macht, Patrick J. Adams, Félix Enríquez Alcalá, Valerie Weiss, Emile B. Levisetti, Terry McDonough, Jennifer Getzinger, James Whitmore Jr., Kate Dennis, Maurice Marable, Norberto Barba, Dennie Gordon, Tim Matheson, Kate Woods, Adam Davidson, Nicole Kassell, David Platt, Rob Seidenglanz, Gregor Jordan, Chloe Domont, Darren Grant, Julian Holmes, Aaron Korsh, Robert Duncan McNeill
Cinematography by: Dan Stoloff, William Klayer, John B. Aronson, Karl Walter Lindenlaub, Alwyn Kumst, Patrick Cady, Jim Denault, Colin Hoult
Edited by: Dan Rovetto, David Kaldor, Peter Forslund, Brock Hammitt, Angela M. Catanzaro, Sandra McCallig, Daniel Martens, David L. Bertman, Christopher Cibelli, Sara Mineo, Sarah E. Williams, Janet Ashikaga, Robert Ivison, Danielle Wang
Cameras: ARRI ALEXA Camera
Sound Effects Editor - 36 Episodes, 2019-2021
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
