Lead Digital Artist: MPC
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Lead Compositor: MPC Film
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Senior Compositor: Prime Focus
Main Tera Hero (2014)
Directed by: David Dhawan
Cinematography by: Sanjay F. Gupta
Compositor
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Visual Effects Compositor
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Digital Compositor
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Visual Effects Compositor
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Compositor: Reliance Media Works
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Visual Effects Artist: Reliance Media Works
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Matchmove Artist: Anibrain Digital Tech
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Digital Compositor: Anibrain Digital Tech
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Digital Compositor: Anibrain Digital Tech
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Rotoscope Artist: Anibrain Digital Tech
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Visual Effects Artist: Anibrain Digital Tech
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
