Supervising Re-recording Mixer / Supervising Sound Designer
Warsaw '44 (2014)
Directed by: Jan Komasa
Cinematography by: Marian Prokop
Edited by: Michal Czarnecki
Cameras: ARRICAM Lite (LT) Camera
Supervising Sound Editor
Black Noise (2013)
Directed by: Behruz Afkhami
Cinematography by: Farhad Saba
Edited by: Aidin Afkhami
Re-recording Mixer / Supervising Sound Editor
Please Kill Mr. Know It All (2012)
Cinematography by: Pasha Patriki
Edited by: Michael P. Mason
Cameras: Red Digital Cinema Cameras
Lenses: Red Digital Cinema Lenses
Editing System: Adobe Premiere Editing System
Music Post-production
Antiviral (2012)
Directed by: Brandon Cronenberg
Cinematography by: Karim Hussain
Edited by: Matthew Hannam
Cameras: ARRI ALEXA Camera
Re-recording Mixer / Sound Design Supervisor
In Darkness (2011)
Directed by: Agnieszka Holland
Cinematography by: Jolanta Dylewska
Edited by: Michal Czarnecki
Cameras: Red One Camera
Supervising Re-recording Mixer / Supervising Sound Designer
Dolan's Cadillac (2009)
Directed by: Jeff Beesley
Cinematography by: Gerald Packer
Edited by: Daryl K. Davis
Supervising Sound Re-recording Mixer
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Supervising Sound Re-recording Mixer
Adoration (2008)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Lead Sound Re-recording Mixer
Killing Zelda Sparks (2007)
Directed by: Jeff Glickman
Cinematography by: Rhett Morita
Supervising Sound Re-recording Mixer
Poor Boy's Game (2007)
Directed by: Clement Virgo
Cinematography by: Luc Montpellier
Edited by: Susan Maggi
Sound
Lie with Me (2005)
Directed by: Clement Virgo
Cinematography by: Barry Stone
Edited by: Susan Maggi
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera
Sound Supervising Re-recording Mixer
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Supervising Re-recording Mixer
All the Real Girls (2003)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Supervising Sound Re-recording Mixer: Deluxe Post Production Services
The Guys (2002)
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Supervising Sound Re-recording Mixer
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Supervising Re-recording Mixer
Hedwig and the Angry Inch (2001)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Supervising Sound Re-recording Mixer
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Supervising Sound Re-recording Engineer
Sunshine (1999)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Re-recording Mixer
Felicia's Journey (1999)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
The Sweet Hereafter (1997)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
Robinson Crusoe (1997)
Cinematography by: David Connell
Edited by: Sue Blainey, Richard Bracken, Tod Scott Brody, Gregg Featherman, Keith Reamer, Kevin Stitt, David Zieff
Re-recording Mixer
Hard Eight (1996)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Re-recording Mixer
Physical Evidence (1989)
Directed by: Michael Crichton
Cinematography by: John A. Alonzo
Edited by: Glenn Farr
