Danni Henderson

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Ocean's Eight | ShotOnWhat?

Visual Effects: Mr. X VFX

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

"Mr. Robot" eps3.0_power-saver-mode.h | ShotOnWhat?

Visual Effects Producer

'Mr. Robot' eps3.0_power-saver-mode.h (2017)

Television Episode

Directed by: Sam Esmail

Cinematography by: Tod Campbell

Edited by: John Petaja

"Mr. Robot" eps3.1_undo.gz | ShotOnWhat?

Visual Effects Producer

'Mr. Robot' eps3.1_undo.gz (2017)

Television Episode

Directed by: Sam Esmail

Cinematography by: Tod Campbell

Edited by: Justin Krohn

"Mr. Robot" eps3.2_legacy.so | ShotOnWhat?

Visual Effects Producer

'Mr. Robot' eps3.2_legacy.so (2017)

Television Episode

Directed by: Sam Esmail

Cinematography by: Tod Campbell

Edited by: Rosanne Tan

Mother! | ShotOnWhat?

Visual Effects Producer

Mother! (2017)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Mudbound | ShotOnWhat?

Visual Effects Producer

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Crimson Peak | ShotOnWhat?

Visual Effects Coordinator

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Mr. Robot | ShotOnWhat?

Visual Effects Producer - 3 Episodes, 2017

Mr. Robot (2015)

Television Series

Directed by: Sam Esmail, Jim McKay, Tricia Brock, Deborah Chow, Nisha Ganatra, Niels Arden Oplev, Christoph Schrewe

Cinematography by: Tod Campbell, Tim Ives

Edited by: Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson

Cameras: Red Epic Dragon Camera

Lenses: Cooke 5/i Lenses, Cooke S4/i Lenses, Leitz Summicron-C Series Lenses

Editing System: Avid Editing System

Pompeii | ShotOnWhat?

Visual Effects Coordinator

Pompeii (2014)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

This Is the End | ShotOnWhat?

Visual Effects Coordinator: Modus FX

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Mirror Mirror | ShotOnWhat?

Visual Effects Coordinator: BarXseven VFX

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Immortals | ShotOnWhat?

Visual Effects Coordinator

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

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