Francesco Donadello

6 Titles

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All Quiet on the Western Front | ShotOnWhat?

Vocal Recording Engineer

All Quiet on the Western Front (2022)

Directed by: Edward Berger

Cinematography by: James Friend

Edited by: Sven Budelmann

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Tár | ShotOnWhat?

Score Recordist And Mixer

Tár (2022)

Directed by: Todd Field

Cinematography by: Florian Hoffmeister

Edited by: Monika Willi

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Mandy | ShotOnWhat?

Additional Recording Engineer / Soundtrack Mixer

Mandy (2018)

Directed by: Panos Cosmatos

Cinematography by: Benjamin Loeb

Edited by: Brett W. Bachman, Paul Painter

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses: Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses

Arrival | ShotOnWhat?

Recording Engineer

Arrival (2016)

Directed by: Denis Villeneuve

Cinematography by: Bradford Young

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Prisoners | ShotOnWhat?

Additional Recording

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Like Crazy | ShotOnWhat?

Music Scoring Engineer

Like Crazy (2011)

Directed by: Drake Doremus

Cinematography by: John Guleserian

Edited by: Jonathan Alberts

Cameras: Canon EOS-7D Camera

Lenses: Zeiss Ultra Prime Lenses

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