Aerial Director: Canada/USA, Executive Producer
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Aerial Unit Director: Canada/USA/Bahamas, Co-producer
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Aerial Unit Director: Canada/USA/Italy, Co-producer
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Aerial Unit Director: Brazil/Canada, Co-producer
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Co-producer, Director: Aerial Unit, Canada
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Co-producer, Unit Production Manager
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Aerial Unit Director: Italy, Co-producer, Unit Production Manager
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Aerial Unit Coordinator, Co-producer, Unit Production Manager
Never Back Down (2008)
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Line Producer
The Grudge 2 (2006)
Directed by: Takashi Shimizu
Cinematography by: Katsumi Yanagijima
Edited by: Jeff Betancourt
Aerial Unit Coordinator, Co-producer, Unit Production Manager
Walking Tall (2004)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Production Manager
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Co-producer, Second Unit Director
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Aerial Unit Designer , Executive Producer
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Production Manager, Second Unit Director
Dead Man on Campus (1998)
Directed by: Alan Cohn
Cinematography by: John Thomas
Edited by: Debra Chiate
First Assistant Director
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
First Assistant Director, Second Unit Director
The Bridges of Madison County (1995)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Second Assistant Director
Another Stakeout (1993)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Second Assistant Director
A Perfect World (1993)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Aerial Assistant Director , Second Assistant Director
Alive (1993)
Directed by: Frank Marshall
Cinematography by: Peter James
Second Assistant Director
The Crush (1993)
Directed by: Alan Shapiro
Cinematography by: Bruce Surtees
Edited by: Ian Crafford
Second Assistant Director
Unforgiven (1992)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director
Millennium (1989)
Directed by: Michael Anderson
Cinematography by: Rene Ohashi
Edited by: Ron Wisman
Second Assistant Director
Physical Evidence (1989)
Directed by: Michael Crichton
Cinematography by: John A. Alonzo
Edited by: Glenn Farr
Second Assistant Director
Police Academy 4: Citizens on Patrol (1987)
Directed by: Jim Drake
Cinematography by: Robert Saad
Edited by: David Rawlins
Third Assistant Director
Police Academy 3: Back in Training (1986)
Directed by: Jerry Paris
Cinematography by: Robert Saad
Edited by: Bud Molin
Visual Effects Trainee
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Production Assistant
Day of Resurrection (1980)
Directed by: Kinji Fukasaku
Cinematography by: Daisaku Kimura
