Pierre-Yves Rosoux

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Stunts

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Stunts: Paris

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

The Transporter Refueled | ShotOnWhat?

Stunt Driver

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

3 Days to Kill | ShotOnWhat?

Stunt Driver

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Lucy | ShotOnWhat?

Stunt Driver

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

RED 2 | ShotOnWhat?

Stunt Driver

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

From Paris with Love | ShotOnWhat?

Car Stunt

From Paris with Love (2010)

Directed by: Pierre Morel

Cinematography by: Michel Abramowicz

Edited by: Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Primo Anamorphic Lenses

District 13: Ultimatum | ShotOnWhat?

Stunt Driver

District 13: Ultimatum (2009)

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Transporter 3 | ShotOnWhat?

Stunt Double Driver

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Mr. Bean's Holiday | ShotOnWhat?

Stunt Driver

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Rush Hour 3 | ShotOnWhat?

Stunt Driver

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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